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| Red Hollyhocks, by John La Farge, 1863. |
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| Unknown, from an album belonging to Mary Adelaide of Cambridge, Duchess of Teck, circa 1860. |
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| The Ghost of a Flea, by William Blake, circa 1819-20. |
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| Jeune femme lisant une lettre près du groupe de putti « lutte pour un coeur » de Falconet, circle of Marguerite Gérard, circa 1790. |
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| The artist Giovanni Boldini, by Federico Andreotti, circa 1870. |
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| Jeune footballeur, by Ángel Zarraga, 1927. |
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| Après la faute, by Jean Béraud, circa 1885-90. |
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| Meiji period photograph of a man in a sedan chair with two attendants on their way to Nikkō in Tochigi Prefecture. |
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| Selection of shells arranged on shelves, by Alexandre Isidore Leroy de Barde, 1810. |
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| Sketch of a man in profile, by Rudolph Friedrich Wasmann, circa 1830. |
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| Allegory of Sacred and Profane Love, by Michele Desubleo, circa 1665-75. |
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| Nude study, by Valdemar Andersen, circa first quarter of the twentieth century. |
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| Alexina Nesbit Sandford née Lindsay and Catherine Hepburne Lindsay, by Andrew Geddes, circa 1838. |
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| L'Admiration !, by comte Olympe Aguado de las Marismas, circa 1860. |
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| Pot de violettes et panier de fraises, by Léon Marie Benoît, 1910. |
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| Jeune femme endormie (inscribed upper left: "Á Jacques et Valentine, paternellement..."), by André Devambez, ND. |
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| Tsuguharu Foujita, by madame d’Ora, 1926. |
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| Enfant emmaillotté dans un berceau en forme de conque, French School, follower of Jean Nocret, circa 1700. |
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| Golden Fish, by Henri Matisse, 1912. |
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| Carte de visite of a Black Union soldier. |
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| Mrs. Charles Hatchett, by Thomas Gainsborough, circa 1786. |
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| Miss Catherine Tatton, by Thomas Gainsborough, 1786. |
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| Stream behind the Barn - On the Stream Bank, by Ladislav Mednyánszky, circa 1873-1875. |
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| French Market, New Orleans, by Pierre Fatumbi Verger, 1934. |
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| A Banquet in the Ruins of a Temple, by Hubert Robert, 1795. |
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| Tekemessa and Eurysakes, by John Henry Fuseli, circa 1800-10. |
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| Saturday Evening Post cover, Halloween, by Frederic Stanley, 1921. |
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| Two sisters, by Cornelis de Vos, circa 1610-15. |
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| Crescentia, Countess Széchenyi, by Ferdinand Georg Waldmüller, 1828. |
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| Apollo and Marsyas, by Hans Thoma, 1888. |
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| Combat of Love and Chastity, by Gherardo del Fora, circa 1480-1500. |
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| From the series “Jardines interiores", by Yuris Nórido Ruiz Cabrera, contemporary. |
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| Nature morte aux bouteilles et aux livres, anonymous, circa 1530. |
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| Ensemble by Maggy Rouff worn by Ann-Emily Lacey, by Egidio Scaioni, 1934. |
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| Resting Acrobats, by Glyn Philpot, 1924. |
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| Bouquet de pensées, Léon Bonvin, 1863. |
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| The Cotillion, by Howard Chandler Christy, circa 1901. |
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| In Brooklyn Navy Yard, by William Merritt Chase, 1887. |
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| Gerberas at Monbulk, by Jesse Dayan, contemporary. |
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| Bildnis eines Malers in einem Pariser Atelier, by Ottilie Roederstein, 1887. |
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| Le Parc à Versailles, by Henri Martin, circa 1910-20. |
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| I fidanzi - promessi (the engaged couple - vows), by Giuseppe Tominz, 1832. |
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| Pins au clair de lune, by Thorolf Holmboe, 1902. |
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| National Academy, Amsterdam, by Maria Austria, 1962. |
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| A young Lady at her Toilet, by Willem van Mieris, circa 1681. |
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| Self-portrait, by Bruno Schulz, 1933. |
