L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Robert Lefèvre. Show all posts
Showing posts with label Robert Lefèvre. Show all posts

Sunday, February 9, 2020

Autoportraits et quelques autres hommes


Self-portrait, by Daniel Mytens, circa 1630.
Portrait d’un artilleur de la garde nationale portant l’Ordre de la Croix de Juillet, attributed to Jean Alaux, 1837.
Self-portrait, by Nikolai Ivanovich Feshin, 1920.
Ivan Ivanovich Shuvalov, by Louis Tocqué, circa 1750s.
Courtesy Ralf De Jonge.
Carlo Ludovico II, King of Etruria, Duke of Lucca, by unknown artist, circa 1824.
René Andreau, by Georges-Daniel de Monfreid, 1895.
Self-portrait, Adelaide Road, by Sir Stanley Spencer, 1939.
Jean-Baptiste-Claude Odiot (who was, perhaps unsurprisingly, a silversmith), by Robert Lefèvre, 1822.
Martín Antonio Álvarez de Sotomayor y Soto-Flores, conde de Colomera, by Agustín Esteve, 1798.
Australian soldier James Aloysius Canty, by Damien Parer, 1942.
Self-portrait, by Govaert Teuniszoon Flinck, circa 1643.
Self-portrait, by Sir William Oliphant Hutchison, 1926.
Self-portrait, by Gino Severini, 1909.
 Folke Bäcklund, by Gustaf Reimers, 1915.
George Gordon, 6th Lord Byron, by George Sanders, circa 1807-09.
 The youth in red is thought to be Robert Rushton, who was employed as a valet by Lord Byron from 1808.
Étude pour un apôtre, by Paul Delaroche, 1835.
The young Henry James, photographer unknown, circa 1860s.
Prince Leopold of Saxe-Coburg-Saalfeld, Duke of Saxony, later Léopold 1, King of the Belgians, after George Dawe, circa 1816-17.
The marquis de Lafayette, by Samuel F. B. Morse, 1826.
Self-portrait, by Henry Inman, 1834.
Autoportrait au chapeau, by Maurice Mazo, 1927.
Louis-François Bertin, by Jean-Louis Laneuville, circa 1796-7.
Self-portrait, Agathon Fabergé, 1918.
Courtesy Ralf De Jonge.
William Fraser of Reelig, by Sir Henry Raeburn, 1801.
Portrait of a Young Man, by Max Von Poosch, 1944.
Bao, an Algerian Spahi, by Niels Simonsen, circa 1840s.



Friday, May 31, 2019

Three brothers, three kings - portraits of Louis XVI, Louis XVIII, and Charles X


Dressed in the robes of the Ordre du Saint-Esprit.

Louis XVI, by Alexander Roslin, 1782.
The comte de Provence, the future Louis XVIII, by Antoine-François Callet, 1788. (The crown and regalia must have been added after he became king.)
The comte d'Artois, the future Charles X, by Antoine-François Callet, 1779.

And in their coronation robes; Louis XVIII chose to forgo a public coronation ceremony.

Louis XVI, by Antoine-François Callet, 1779.
Louis XVIII, by Robert Lefèvre, circa 1822.
Charles X, by François Gérard, 1825.

*

And now for something a bit more realistic: a sketch for a coronation portrait of Louis XVIII by Antoine-François Callet, circa 1814 or later.



Sunday, October 23, 2016

Painted rough, painted smooth - ten portraits of men


Self-portrait by Jérôme-Martin Langlois, circa 1830.
Bonsha Gopal Nandi, by Benjamin Hudson, circa 1854-62.
Roundell Cecil Palmer, Viscount Wolmer, later 3rd Earl of Selborne, by Philip de László, 1916.
Frederik VI of Denmark as Crown Prince Regent, by Jens Juel, 1787.
Bon Vivant (self-portrait), by Miroslav Kraljević, 1912.
Portrait of a Young Man, by Bronzino, circa 1550-55.
Fiatal Fiú (Young Man), by Gyula Benczúr, circa 1880s. 
Victor Gay, by Alexandre Laemlein, 1845.
Jean Cocteau, by Jacques-Émile Blanche, 1912.
Portrait of a Young Man, by Robert-Jacques-François-Faust Lefèvre, circa 1805.





Saturday, January 23, 2016

Les Dames en jaune


The Yellow Dress, by Gustave Jacquet, circa 1896.

Yellow is my least favorite color. Yes, it almost certainly is. And what a silly thing that is to say! An artist, of all people, saying that one color or another is his favorite or least favorite. Very silly. Yet I have no qualms about saying that yellow is the most important color. Because I don't doubt that at all. Though there's almost never anything in my paintings that you would describe as yellow, I use that color in my work far more than any other. And if I understood anything about color theory, I could probably tell you why that is. I'm guessing it's got something to do with light. Uh... the way light reflects? Or... OK, I have no idea as to why I use so much yellow. I just know that I do. And here are some paintings of ladies by artists who've also used a lot of yellow in their work and who are not afraid to let you know it.

Lady in Yellow, by Susan Watkins, 1902.
Lady in Yellow, by Giovanni Boldini, 1912.
William II, Prince of Orange, and his wife Mary Stuart, by Gerrit van Honthorst, 1647.
Pauline in the Yellow Dress [the artist's wife], by Sir James Gunn, 1944.
À la toilette, by Gustave Léonard de Jonghe, circa 1880.
Emily Warren Roebling, by Carolus-Duran, 1896.
Countess Elizaveta Alexandrovna Demidova, née Stroganova, by Robert Lefèvre, circa 1800-1805.
Lady in Yellow, by Thomas Wilmer Dewing, 1888.
Lady at a Piano, by Vincent Dinty 1793.
Simone Gentile in a Yellow Gown, Serge Ivanoff, 1954.
In the Country, by Alfred Stevens, 1867.
Grand Duchess Vladimir (Maria Pavlovna), by François Flameng, 1898.
Princesse de Broglie, by James Tissot, circa 1895.
Lady in a Yellow Dress, Max Kurzweil, 1899.