L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Thomas Lawrence. Show all posts
Showing posts with label Thomas Lawrence. Show all posts

Sunday, September 21, 2025

Twenty-eight gentlemen - a selection of portraits and self-portraits

 
Self-portrait, by Joseph Highmore, 1747.
Self-portrait at the age of twenty, by Sir David Wilkie, between 1804 and 1805.
Self-portrait, by George Hendrik Breitner, 1882.
French School, circa 1780s.
Ignazio Degotti, scenographer of the Paris Opéra, miniature by Ferdinando Quaglia, 1812.
Jules Richemont, by Gustave Caillebotte, 1879.
Count Sergei Platonovich Zubov, by Giovanni Boldini, 1913.
"Black Hunter" - portrait of David Lawrence, by Andrew Wyeth, 1938.
The poet Janko Lavrin, by Boris Kustodiev, 1909.
The sculptor Alessandro Vittoria, by Giovanni Battista Moroni, 1552.
Raymond de Verninac, by Henri-François Riesener, circa 1822-25.
Count Wenzel Anton Kaunitz, by Jean-Étienne Liotard, 1762.
Self-portrait, by Eliseu Visconti, circa 1900.
Portrait of a man with glasses, attributed to Rembrandt Peale or French School, circa 1820s.   
Alfonso XIII, by Ramón Casas y Carbó, 1904.
Lord Berners (Gerald Hugh Tyrwhitt-Wilson, 14th Baron Berners), by Rex Whistler, 1924.
The sculptor Tommaso Bandini, cousin of the artist, by Enrico Bandini, circa 1835.
Portrait of a man, called "Il Condottiere", possibly Sforza Maria Sforza, by Antonello da Messina,  circa 1475.
Selbstbildnis im Gruenen (self-portrait in the green), by Siegfried von Leth, 1906.
 Portrait of a gentleman, Anthonis Mor, circa 1570.
Matreier Bub (boy from Matrei), by Franz Eichhorst, circa 1920s.
Leo Ornstein at the Piano, by Leon Kroll, 1918.
 John, Lord Mountstuart, later 4th Earl and 1st Marquess of Bute, by Jean-Étienne Liotard, 1763.
Camillo Borghese (Don Camillo Filippo Ludovico Borghese, Prince of Sulmona and of Rossano, Duke and Prince of Guastalla), by François Gérard, circa 1810.
Richard Meade, 3rd Earl of Clanwilliam, by Sir Thomas Lawrence, 1819.
Presumed Portrait of Jean André Soubry, by Nicolas de Largillière, circa 1729.
The painter Eduard Bendemann, by Friedrich von Amerling, 1837.
Francis Owen in van Dyck costume, by Jean-Étienne Liotard, 1773.



Friday, April 12, 2024

"The way she shimmers" - a portrait of Elizabeth Farren by Sir Thomas Lawrence, circa 1790

 

I've always loved this painting, the way she shimmers. The whole painting does, really. Her satin cloak, certainly, but also throughout the landscape, brilliant silver tracing and breaking through. All of it matched by - or is it merely reflecting? - the energy and wit of the young woman's bright, smiling glance.


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Elizabeth Farren (circa 1759, Cork, Ireland - 23 April 1829, Knowsley Hall, England), Irish actress. She was the daughter of a surgeon, later an actor, whose drinking habits brought on his early death, after which his widow returned to her native Liverpool, going on the stage to support the family. At a very early age, Farren began taking on juvenile parts, acting with her mother and sisters; her sister Margaret Farren also became a well-known actress. She made her first appearance in London at the Haymarket in 1777, playing Miss Hardcastle in She Stoops to Conquer. The following year, she made her debut at Drury Lane. She performed primarily at that theater or at the Haymarket for the rest of her stage career, with occasional performances in the provinces and at Covent Garden. She would go on to have over one hundred characters in her repertoire. These included Shakespeare's Hermione, Portia, Olivia, and Juliet but, apparently, the comedic roles such as Lady Betty Modish, Lady Townly, Lady Fanciful, and Lady Teazle were her favorites. In an age when actresses were thought no better than prostitutes - indeed, not a few took to that profession as a sideline, though more politely called "courtesans" - Farren made an impressive career change when, in 1797, she married, as his second wife, Edward Smith-Stanley, 12th Earl of Derby. Her husband reportedly treated her with great respect. The couple had a daughter, Lady Mary Margaret Stanley, who would marry Thomas Egerton, 2nd Earl of Wilton. Elizabeth Farren, Countess of Derby, died in her seventieth year at the ancestral home of the Stanley family - the Earls of Derby - Knowsley Hall, her husband following five years later. 

Farren's retirement from the stage had been much regretted. Horace Walpole spoke of her as the most perfect actress he had ever seen, and the great Mrs. Siddons, on the day of Farren's marriage, lamented the loss of "our comic muse."





Sunday, April 11, 2021

"Put a feather in his (or her) cap..." - twelve be-plumed portraits.

 
Princess Charlotte of Wales, Princess of Saxe-Coburg-Saalfeld, by Alfred Edward Chalon, circa 1817-19.
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Gustave Courtois at the age of Thirty-One, by Pascal Dagnan-Bouveret, 1883.
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Julia, Lady Peel, by Sir Thomas Lawrence, 1827.
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Self-portrait, by Charles Gleyre, 1834.
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Portrait of an unknown lady with a dog, unknown Polish (?) artist, circa 1780-90s.
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Don Miguel de Castro, Congolese ambassador to the Netherlands, by Jaspar Beckx, circa 1643.
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 Dame aux plumes, by Georges Jacquemotte, circa 1900-10.
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Young Man with a Feather in his Hat, by Corneille de Lyon, circa third quarter of the sixteenth century.
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Portrait of an unknown lady, unknown artist, circa 1830s.
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Pes-Ke-Le-Cha-Co, Chief of the Pawnees, by Henry Inman, circa 1832-33.
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Maria Cristina of Naples and Sicily, Duchess of Genoa, later Queen of Sardinia, by Giacomo Berger, 1816.
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An Old Man in Military Costume, by Rembrandt, circa 1630-31.