L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Jean-Baptiste Oudry. Show all posts
Showing posts with label Jean-Baptiste Oudry. Show all posts

Sunday, June 2, 2024

Half ladies and three-quarter females - a selection of portraits

 
Gräfin Chorinsky née Prinzessin Esterházy, by Friedrich von Amerling, 1838.
Elizabeth Howard, by Anthony van Dyck, circa 1638-40.
Catherine Clemens, by George Romney, 1788.
Unfinished portrait of Louise Élisabeth d'Orléans, by Jean Ranc, 1724.
Marie Rinteau, called mademoiselle de Verrières, by François-Hubert Drouais, 1761 and later.
Apparently exhibited by Drouais at the Salon of 1761, the sitter's hairstyle was altered by the artist or someone else during the 1770s to make it more en vogue.
Susanna Highmore, the artist's daughter, by Joseph Highmore, circa 1740-45.
 Smiling Girl / Courtesan Holding an Obscene Image, by Gerrit van Honthorst, 1625. 
The model holds an image of a naked woman, perhaps the model herself, covering her face and captioned in Dutch Wie kent mijn naers van Afteren (Who
can recognize my 
backside from behind?). The small image likely advertises her services, as this was a common practice in the sex industry of the time.
Archduchess Maria Magdalena, Grand Duches of Tuscany, by Frans Pourbus the Younger, circa 1603-04.
Portrait of a Lady at a Harp, by Johann Julius Heinsius, 1785.
Madame Alexandre Dumas fils née Nadezhda von Knorring, by Jules Lefebvre, circa after 1864.
Madame Louis-François Bertin de Veaux née Augustine Bocquet, by Anne-Louis Girodet-Trioson, 1809.
Portrait of a Lady in a Green Dress, by Bartolomeo Veneto, 1530.
Mrs. John Sargent née Charlotte Bettesworth, by George Romney, circa 1778.
Giovanna Bagnara, by Pierre Subleyras, circa 1739.
Girl with a Canary, by Novak Radonić, 1865 (or 1858, depending on the source).
Olive Craster, by Nathaniel Dance-Holland, 1762.
Mary Josephine Drummond, condesa de Castelblanco, as Astrea, by Jean-Baptiste Oudry after Nicolas de Largillière, circa 1716.
Mrs. John Dawes, by George Romney, circa 1765-69.
Victoria, Duchess of Kent (the mother of Queen Victoria), by Franz Xaver Winterhalter, 1849.



Friday, July 1, 2022

"Sit... stay...." - Three Dogs and a Macaw in a Park, by Jean-Baptiste Oudry, circa 1730s

 

Oudry's initial training was as a portrait painter. He also produced still-lifes, but by the 1720s had begun to specialize in hunting scenes, game pieces, and animal portraiture. In this large painting, the artist depicts three very distinctive dogs - a pug, a toy spaniel, and a small terrier - all with with a high degree of individuality. It seems likely that this painting was the result of a commission by one of Oudry's patrons for a portrait of their pets.


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Jean-Baptiste Oudry (17 March 1686, Paris – 30 April 1755, Beauvais), French Rococo painter, engraver, and tapestry designer. He is particularly well known for his naturalistic pictures of animals and his hunt pieces depicting game. Though his father was a painter and art dealer, Oudry's first serious training came from portrait painter Nicolas de Largillière. By about 1720, the young man was concentrating on animals, hunts, and landscapes. He had become a member of the Académie de Peinture et de Sculpture in 1719 and went on to a professorship there in 1743. From 1726 he found great success designing tapestries, and in 1734 was named director of the Beauvais tapestry manufactory; two years later, he became director of the Gobelins manufactory. During that same decade, Louis XV appointed him Painter-in-Ordinary of the Royal Hunt, and he was granted a workshop in the Tuileries and an apartment in the Louvre. The king often called the artist to Versailles to paint the royal hounds - in the king's presence. In the words of a contemporary, "Monsieur Oudry had acquired such a habit of conversing with high-ranking persons and of working in their presence that he painted as calmly at the court as he would in his own studio." After a long, successful career, he suffered two strokes in quick succession. The second left him paralyzed and he died shortly thereafter at the age of sixty-nine.