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| The Concert, by Gerrit van Honthorst, 1624. |
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| Réunion de musiciens, by André Bouys, circa 1710. The seated figures are thought to be Antoine Forqueray, Michel de la Barre, and Jacques-Martin Hotteterre. |
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| Portrait d'Irma Sèthe, by Théo van Rysselberghe, circa 1894. |
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| Musical Company, by Jan van Bijlert, circa second quarter of the seventeenth century. |
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| Two Musicians, by Robert Lee MacCameron, circa 1910. |
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| Two Musicians, unknown Dutch painter (an "Utrecht Caravaggist"), circa second quarter of the seventeenth century.. |
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| Wall painting from the Etruscan "Tomb of the Lionesses" at Tarquinia, circa 530-520 BCE. |
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| Three Young Musicians, by Antoine Le Nain, circa 1630. |
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| Napolitaanse muzikant, by Johannes Baeck, circa 1635-40. |
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| Un homme tenant une lyre et une femme tenant une partition dans un interieur, by Marguerite Gérard, circa 1820s. |
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| Un concerto, by Lorenzo Costa, circa 1485-1495. |
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| Three Musicians, by the Master of the Female Half-Lengths, circa 1530. |
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| Marie Sethe at the Harmonium, by Théo van Rysselberghe, 1891. |
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| Portrait of a Musician Playing a Bagpipe, Netherlandish School, 1632. |
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| Musicians, by Wouter Pietersz. Crabeth II, circa 1626-44. |
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| A group of seven female musicians seated under a canopy, by Shiva Lal, 1865. |
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| Two paintings by Peter Kraemer II, circa 1880-1920. |
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| Gentleman with a Clarinet. |
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| Gentleman with a Flugelhorn. |
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| The Musician, by Bartholomeus van der Helst, 1662. |
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| Group portrait with the singer Farinelli, by Jacopo Amigoni, circa 1750-52. |
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| Poet and librettist Pietro Metastasio and the soprano Teresa Castellini. |
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| The famous castrato Farinelli (the stage name of Carlo Maria Michelangelo Nicola Broschi) and a self-portrait of the artist, Jacopo Amigoni. The score of the canzonet is a setting of "La Partenza" by Metastasio, the music apparently rewritten by Farinelli; the singer's initials are at the top of the page. |
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| Farinelli's dog - the dog's collar bears his initials - and his page boy dressed in a hussar's uniform. |
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| A young shepherd wearing a crown of laurel leaves and holding a recorder, attributed to Valentin de Boulogne, circa 1620-25. |
