L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label George IV. Show all posts
Showing posts with label George IV. Show all posts

Sunday, November 24, 2024

George's sisters - portraits by William Beechey, circa 1795-97

 

All six portraits are intimate studies of the princesses - Charlotte, the Princess Royal; Augusta; Elizabeth; Mary; Sophia; and Amelia - who are portrayed as accomplished young ladies, affectionate sisters to their devoted brother, George IV. The Princess Royal was the only married sister at this date. As Duchess of Württemberg she wears the red ribbon of the Royal Order of the Golden Eagle of Württemberg, the only one of this set of portraits to bear such a badge of rank. Five of the six paintings are recorded at Carlton House, hanging as overdoors in the South Anteroom; for some reason the painting of the Princess Royal was recorded as being in the Carlton House picture store. All six paintings required restoration by Beechey in 1829.

Charlotte, Princess Royal, Duchess of Württemberg, (1766-1828).

The eldest daughter and fourth child of George III of the United Kingdom and his wife, Charlotte of Mecklenburg-Strelitz, in 1797, at the rather late age of thirty, the Princess Royal married, as his second wife, Frederick, Hereditary Prince of Württemberg, the eldest son and heir apparent of Frederick II Eugene, Duke of Württemberg. Her husband was, successively, reigning Duke, reigning Elector and, finally, King of Württemberg. The marriage produced one child: a stillborn daughter born the year after they wed. In 1800, French troops occupied Württemberg, and for the next several years her husband was forced to negotiate with Napoléon, first siding with him, then against him. Frederick died in 1816, and his widow continued to live at the Ludwigsburg Palace, near Stuttgart, as dowager queen of Württemberg. In 1827, she made her first visit to England since her marriage, thirty years before. She died a year later.

 Princess Augusta, (1768-1840).

Painfully shy as a child, when she reached marriageable age, there was some consideration that Augusta might make a bride for a foreign prince; both the Crown Prince of Denmark - later King Frederick VI - and Prince Frederick Adolf of Sweden would seek her hand. But her parents seemed increasingly unwilling to let go of their daughters, and she never married. At least there is no record of a marriage; apparently she had a decades-long relationship with a gentleman of the court, Sir Brent Spencer, later the king's equerry. In 1812, she asked her brother, then Prince Regent, if the couple might marry. A few years later she was referred to as being "privately married," and Spencer was said to be holding a locket with Augusta's picture when he died in 1828.

Princess Elizabeth, (1770-1840).

Known for her optimistic attitude, her sense of humor, and her artistic abilities, Elizabeth was also stifled by her parents' reluctance to letting their daughters marry. And like others of her sisters, she is rumored to have had relationships with men at court. She was said to to have had a child with the son of one of her father's pages. And it appears she had a romantic relationship with diplomat Alleyne Fitzherbert, 1st Baron St. Helens; among other evidence, they exchanged miniatures of each other. In 1818, at a month shy of forty-eight, and against all her mother's resistance, she married Prince Frederick of Hesse-Homburg. It started as more of a marriage of convenience - the bride could escape the constrictive environment of her home, while the groom gained many advantages by becoming allied with the British royal family - but it seems the couple lived together very happily until the prince's death ten years later.

Princess Mary, (1776-1857).

Mary was considered the prettiest daughter of George III. Around 1796 Mary fell in love with the Dutch Prince Frederick, the son of William V, Prince of Orange. But the princess' father stipulated that her elder sisters should marry first, and in 1799 Prince Frederik died of an infection while serving in the army; Mary was allowed to go into official mourning. Seventeen years later, in 1816, she married her first cousin, Prince William Frederick, Duke of Gloucester and Edinburgh, the son of George III's brother. Her husband appears to have been in love, while Mary's motive was mostly her desire to leave her mother's restrictive household. Both bride and groom were forty, and there were no children born to the couple. When Mary died in 1857 at the age of eighty-one, she was the last-surviving and longest-lived child of King George III and Queen Charlotte.

Princess Sophia, (1777-1848).

Like all her sisters but the eldest, Sophia languished in their mother's tightly controlled household. Like all of the royal couple's daughters, she was well educated. And like others of her sisters, she was rumored to have had relationships with courtiers, the only men they came in contact with. She is thought to have entered into such a relationship with her father's chief equerry, Major-General Thomas Garth, a man thirty-three years her senior; she is said to have had his child in 1800. But there were also various allegations of incest - possibly rape - with her brother, Ernest Augustus, Duke of Cumberland. Historians disagree on the validity of either rumored relationship, the possible parentage of the child, and if there was actually ever a child at all. She never married.

Princess Amelia, (1783-1810).

Over-protected and isolated like her sisters, Amelia was also often in poor health; at the age of fifteen, she began suffering the early symptoms of tuberculosis. Three years later, the eighteen-year-old princess was sent for a seaside cure at Weymouth, hoping to improve her health. Among those staying with her was an equerry twenty-one years her senior, the Hon. Charles FitzRoy. Amelia fell in love with FitzRoy, desiring to marry him. The king, frequently incapacitated by mental illness, had this information kept from him. Though she never gave up hope of marrying FitzRoy, the princess knew she could not legally do so due to the provisions of the Royal Marriages Act. She would later tell her brother Frederick that she considered herself to be married, anyway, taking as her initials A. F. R. (Amelia FitzRoy). Her health declined further and she died nine years later; other than a mourning ring containing a lock of her hair which she had had made for her father, her will dictated all her possessions be given to Charles FitzRoy.

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Beechey had been employed to teach drawing to the elder unmarried princesses, Augusta and Elizabeth; reference to that activity are included in their portraits here. But also to be seen in this group, Mary is shown with a sketch of the bust of a putto - seen behind - while Amelia is portrayed with what appear to be two folders of drawings. So was Beechey perhaps angling to acquire two more Royal pupils...?



In 1800, William Beechey submitted an account to George IV for the six portraits at the price of forty guineas each.



Sunday, June 9, 2024

Matrimonial disaster - the wedding of George, Prince of Wales and Caroline of Brunswick-Wolfenbüttel, 1795

 
The Marriage of George, Prince of Wales, by John Graham, 1795.

I rather love this painting. Not only for the quaint depiction of the figures and the rich but beautifully restrained coloration. But also because of the odd posture of the bridal couple. The way they - maintaining as much distance as possible - are forced to lean in, just enough to get the ring on. Certainly the artist wasn't trying to convey any sort of hidden message or "insider" commentary with the pose, but I find that detail of the tableau particularly - perversely - delightful, knowing what I know about their famously intense aversion for each other.


In 1794, the Prince of Wales - the future George IV - and his first cousin Caroline  of Brunswick-Wolfenbüttel (17 May 1768 - 7 August 1821) were engaged. They had never met. Heavily in debt as always, the prince had agreed to marry her because Parliament would increase his allowance if he contracted a marriage with an eligible princess. (In fact, he was already married. He had secretly wed Maria Fitzherbert in 1785, but his marriage to Fitzherbert violated the Royal Marriages Act and so was not legally valid.) The diplomat Lord Malmesbury was dispatched to Brunswick to escort Caroline to Britain. Malmesbury wrote in his diary about his concerns as to Caroline's suitability as the Prince Wales' bride for the prince, noting that she was too outspoken and often neglected to wash, or change her dirty clothes. Indeed, on meeting his future wife for the first time, the prince asked Malmesbury to bring him brandy. Similarly disappointed, Caroline complained to Lord Malmesbury that the prince was, "very fat and he's nothing like as handsome as his portrait."

In this, as in the following painting, the groom's father, King George III, is seated on the left, presumably surrounded by his other sons...

The couple was married on 8 April 1795 at the Chapel Royal, St. James's Palace, in London. During the ceremony, the prince was drunk. He found his bride unattractive and unhygienic, and expressed his suspicions that she was not a virgin when they married. In a subsequent letter to a friend, the prince claimed that the couple only had sexual intercourse three times in the course of their marriage - twice the first night of the marriage, and once the second night - writing, "it required no small [effort] to conquer my aversion and overcome the disgust of her person." While Caroline claimed her new husband was so drunk that he "passed the greatest part of his bridal night under the grate, where he fell, and where I left him".

... While the prince's mother, Queen Charlotte, in on the right, her daughters standing behind.

Nine months after the wedding, Caroline gave birth to their only child, Princess Charlotte (7 January 1796 - 6 November 1817), and the couple separated soon after. But all the DRAMA that followed is too good to whittle down for a mere blog post. Better to wade into Wikipedia's excellent article on Caroline

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The Marriage of George IV when Prince of Wales, by Henry Singleton, 1795.
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The Marriage of George, Prince of Wales and Princess Caroline of Brunswick, by William Hamilton, circa 1796.
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A mezzotint published by "Haines & Son - 19, Rolls Buildings, Fetter Lane", circa 1795. The Prince of Wales looks noticeably less svelte here...
... And the unknown artist may have shared the groom's opinion of the bride's beauty; he only shows her from the back.



Sunday, May 26, 2024

Les guerriers élégants - British military portraits by Alexandre-Jean Dubois-Drahonet, 1831-34

 
 Sergeant John Hawkins, 7th (The Princess Royal's) Dragoon Guards.
Private John Flynn, 17th Lancers. "Fire."
Private John Burnside, 2nd Life Guards. "Royal Salute."
Lance-Sergeant Donald Cameron, 92nd (Highland) Regiment of Foot.
Kettle-Drummer George Augustus Lüdewig Rüngeling, Royal Horse Guards.
Major-General Sir James Cockburn, Bart, KCH, Paymaster and Inspector-General of Royal Marines.
Private Joseph Bednal, 12th (The Prince of Wales's) Royal Lancers.
Drummer William Cann, Scots Fusilier Guards. "Night Rounds."
Lieutenant-General The Marquess of Londonderry, GCB, GCH, Colonel, 10th (The Prince of Wales's Own) Royal Hussars.
Cymbalist Jean Baptiste, Scots Fusilier Guards.
Pensioner Joseph Burgin, Royal Hospital Greenwich. "Trafalgar."
Triangle-boy John Sheay, Royal Military Asylum.
 Corporal John McCain, 5th (Princess Charlotte of Wales's) Dragoon Guards. "Left Cut."
Seaman Charles Hiches, Royal Navy.
Yeoman Clark, The King's Body Guard of the Yeomen of the Guard.
Prince George of Cumberland, GCH, Colonel of the Hanoverian Guard Hussars.
Trumpeter Thomas Jagger, 1st Life Guards.
Drum-Major John McDermott, Royal Military Asylum. "Royal Salute."
Colour-Sergeant Joseph Miller, Rifle Brigade.
Lieutenant and Captain the Honourable Thomas Ashburnham, Coldstream Guards.
 Colour-Sergeant William Maundrell, Coldstream Guards.
Troop Corporal-Major Robert Goldie, Royal Horse Guards.
Private Alexander Ritchie, 79th Regiment of Foot (or Cameron Highlanders). "Receiving Rounds."
Regimental Corporal-Major John (or Corporal Robert?), Winterbottom, 1st Life Guards.
Colour-Sergeant Alexander McDonald, Scots Fusilier Guards.
 Corporal Jonathan Cory, Coldstream Guards. "Fire."
Private John Godfrey, Scots Fusilier Guards. "Who Comes There?"
Private Samuel Bowden, Royal Horse Guards. "Return Swords."
Sergeant Benjamin Gilliece, 5th (Princess Charlotte of Wales's) Dragoon Guards.
Captain George Elliott Baldchild, Royal Marines.
 First Lieutenant Wilbraham Spencer Tollemache, Rifle Brigade.
Private Owen Sweeny, 88th (Connaught Rangers) Regiment of Foot. "Receiving Cavalry."
Sergeant John Dixon, Royal Horse Artillery.
Unknown, The Honourable Band of Gentlemen Pensioners. (The only one of this group posed not on rough ground, but on carpet.)
Pioneer-Corporal William Swiffling, Coldstream Guards.
Captain Henry Keane Bloomfield, 11th (North Devonshire) Regiment of Foot.
Private John Kernan, 7th (The Princess Royal's) Dragoon Guards. "Handle Cartridge."
Major John Charles Hope, KH, Rifle Brigade.
Sergeant Alexander Jameson, 2nd (or the Queen's Royal) Regiment of Foot.
Captain James Edward Alexander, 42nd (The Royal Highland) Regiment of Foot.
Private William Cooper, 6th (Inniskilling) Dragoons. "General Salute."
Prince George of Cambridge, GCH, Colonel of the Hanoverian Jäger Battalion.
In-Pensioner Joseph Peaty, Royal Hospital Chelsea. "Holland Expedition... 1799." (I didn't notice the hook replacing his left hand for quite some time.)
Colour-Corporal Joseph Smith, Royal Military Asylum.
Private John Wallace, 2nd (Royal North British) Dragoons. "Fire."
Lieutenant-Colonel Charles Routledge O'Donnell (1796-1870), 15th (The King's) Hussars.
Yes, I purposefully left for last the dashing Lieutenant-Colonel O'DONNELL. I wonder how we're related...?

During the period of European peace following the Napoleonic Wars, increasingly elaborate - and often quite impractical - military attire was devised, particularly by George IV in Great Britain. By the time his brother William IV succeeded him in 1830, uniforms had become much too expensive and were consequently simplified and adapted once again, the result of these changes being codified in the 1831 Dress Regulations. Around that time, French portraitist Alexandre-Jean Dubois-Drahonet was commissioned by William IV to paint a series of one hundred pictures illustrating the uniforms of the British Army; the Royal Collection retains most of this series. The paintings were intended as a visual record of the recent changes to military dress, but their value is not merely historical. It is also aesthetic, as Dubois-Drahonet produced lively, expressive figures - nearly all elegantly elongated - presented in characteristic and dramatic poses. Even more, almost all are named portraits, the particular format dictating that the models are treated equally, regardless of status, from prince to private.

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Across the Channel, the newly-minted "Citizen King" quickly decided to follow suit, commissioning a similar series from the artist. Illustrating French military uniforms, the group may have been been intended for inclusion in Louis-Philippe's grand project, the establishment of a history museum at the Château de Versailles. The French series was completed by Paul Lecomte after Dubois-Drahonet's death in 1834.

Un jeune officier de la garde nationale.
Garde Municipale à cheval.
Garde Nationale à cheval - Trompette.