L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Sunday, September 11, 2016

The bewildered bridegroom - Grand Duke Dmitri Pavlovich and Audrey Emery, Biarritz, 21 November 1926



Conspirator in the murder of Rasputin, lover of Coco Chanel, Grand Duke Dmitri Pavlovich was fairly the archetype of the polished and penniless aristocratic Russian emigré. Born and raised in the bosom of Romanov luxury, accustomed to fast society in pre-war St. Petersburg, by the time he'd made his way - post-war, post-revolution - to Paris, he was almost thirty and had little going for him beyond impeccable tailoring and a flawless pedigree. He found work as a champagne salesman, but devoted more enthusiasm to a string of relationships with many of the most fascinating women of his day. Eventually, rather than continuing in the champagne business or, worse, ending up a "professional guest", he did what other attractive and charming ci-devants of the male persuasion sometimes did: he married a rich American. He made a morganatic union with Audrey Emery, the Cincinnati-born daughter of a real-estate millionaire; the bride was given the courtesy title Princess Romanovskaya-Ilyinskaya. (They had one child together, Paul - named after his father - and divorced in 1937.) There's no reason to assume the Grand Duke married more out of expediency than for love, but in these photographs posed for the press on their wedding day, it may be too tempting to ponder the stunned expression on the groom's face.





Friday, September 9, 2016

Ginger's gown - Ginger Rogers in fashion portraits from "Shall We Dance" and "Carefree"



Shall We Dance, 1937 - as Linda Keene - costumes by Irene.

These three images are of a stage performance by Miss Keene. Mainly seen through Astaire's flip-book.
In the film she also wears a small hat with a short veil.

Carefree, 1938 - as Amanda Cooper - costumes by Howard Greer.

Costume for dream sequence. (I figured the oversized mushrooms needed a little context.)
In the film she wears a fabulous snood with this gown. (I miss the snood!)




Sunday, September 4, 2016

Ella plays dress-up - the Grand Duchess Elisaveta Feodorovna in period costume


Reduced version of the portrait by François Flameng, inscribed as being painted at Ilinskoe, the country estate of the Grand Duchess and her husband, 1894.

Back in "the good old days" before such wanton excess was rightly frowned upon, royalty and the aristocracy loved donning "fancy dress." Whether to attend a costume ball, pose in tableaux vivants, or indulge in private amateur theatricals, they had the leisure and also the budgets to support such glamorous frivolity. The Romanovs were no different. The Grand Duchess Elisaveta Feodorovna - wife of Grand Duke Sergei, uncle of the last tsar; sister of the last tsaritsa; granddaughter of Queen Victoria - was considered the most beautiful and best-dressed member of the family. Ella, as she was known to her intimates, was of an "artistic bent", and it should come as no surprise that she was often the star of the family theatricals - and easily the most lovely.

 As is obvious by comparison with the images below, the sleeves in the portrait have been enlarged to better reflect the styles of the 1890s.
I don't know the occasion for which this lovely Empire style gown was created, but she chose to be portrayed wearing it in Flameng's portrait.
Ella with her nephew-by-marriage, the future Nicholas II - also her future brother-in-law - in a performance (?) of "Eugene Onegin", 1890.
The Grand Duchess was Tatiana to Nicholas' Onegin.
I think she is particularly beautiful here. And the costume is exactly right and perfectly suited to her.
She had performed with the Tsarevich before, in 1886; supposedly this was a portrayal of "Hamlet"...?
The costumes seem a highly unlikely choice for "Hamlet".
With her husband, Grand Duke Sergei, dressed for quite the most famous Romanov costume ball, the Winter Palace "Boyar Ball" of 1903.
As a seventeenth-century boyarina, many of her personal jewels have been sewn onto her costume.