L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Serge Ivanoff. Show all posts
Showing posts with label Serge Ivanoff. Show all posts

Saturday, February 27, 2016

Eight ladies, two gentleman, one still life - paintings by Serge Ivanoff


Portrait of a Woman, 1944. (How can it be that the sitter's name isn't still attached to this remarkable portrait...?)

Serge Petrovitch Ivanoff (25 December 1893, Moscow – 8 February 1983, Paris), Russian painter. Born into a family of Moscow merchants, he was artistic from an early age; his parents enrolled him in art school at the age of ten. Later, at the height of the Russian Revolution, already in his twenties and having relocated to St.Petersburg with his family, he continued his studies at what had been the Imperial Academy of Arts. In 1920 his wife and two children fled Russia to settle in Paris and two years later, diploma in hand, he joined them there. Over the next few decades he established himself as a popular portraitist, with increasingly prestigious clientele; the Forties appear to have been the peak years of his career. In 1946 he married his eighteen-year-old pupil, Simone Gentile. (I haven't been able to ascertain what became of his first marriage, whether he divorced or was widowed.) In 1950 Ivanoff moved to the United States but, at the end of the Sixties, he returned to France where he later died at the age of eighty-nine.

Simone Gentile Holding a Book, 1946. (Gentile was the second wife of the artist, and an artist, herself.)
Edwige Feuillère, 1943 (?).
Jacques Fath, circa 1948.
Sacha Lio, 1932.
Lycette Darsonval as Giselle, 1941.
 
Simone Gentile in a Yellow Gown, 1954.
Princess Victoria Brancovan, 1948.
Guy Lainé, 1939 (?).
Portrait of a Woman, 1949.
Still Life With Dominoes, 1944.



Saturday, January 23, 2016

Les Dames en jaune


The Yellow Dress, by Gustave Jacquet, circa 1896.

Yellow is my least favorite color. Yes, it almost certainly is. And what a silly thing that is to say! An artist, of all people, saying that one color or another is his favorite or least favorite. Very silly. Yet I have no qualms about saying that yellow is the most important color. Because I don't doubt that at all. Though there's almost never anything in my paintings that you would describe as yellow, I use that color in my work far more than any other. And if I understood anything about color theory, I could probably tell you why that is. I'm guessing it's got something to do with light. Uh... the way light reflects? Or... OK, I have no idea as to why I use so much yellow. I just know that I do. And here are some paintings of ladies by artists who've also used a lot of yellow in their work and who are not afraid to let you know it.

Lady in Yellow, by Susan Watkins, 1902.
Lady in Yellow, by Giovanni Boldini, 1912.
William II, Prince of Orange, and his wife Mary Stuart, by Gerrit van Honthorst, 1647.
Pauline in the Yellow Dress [the artist's wife], by Sir James Gunn, 1944.
À la toilette, by Gustave Léonard de Jonghe, circa 1880.
Emily Warren Roebling, by Carolus-Duran, 1896.
Countess Elizaveta Alexandrovna Demidova, née Stroganova, by Robert Lefèvre, circa 1800-1805.
Lady in Yellow, by Thomas Wilmer Dewing, 1888.
Lady at a Piano, by Vincent Dinty 1793.
Simone Gentile in a Yellow Gown, Serge Ivanoff, 1954.
In the Country, by Alfred Stevens, 1867.
Grand Duchess Vladimir (Maria Pavlovna), by François Flameng, 1898.
Princesse de Broglie, by James Tissot, circa 1895.
Lady in a Yellow Dress, Max Kurzweil, 1899.