L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Jean-Baptiste Isabey. Show all posts
Showing posts with label Jean-Baptiste Isabey. Show all posts

Friday, April 8, 2022

The son of a painter, a painter, and the son of a soldier, a soldier - two portraits



Eugène Louis-Gabriel Isabey (1803-1886), dressed here in imitation of Mamluk costume, was the son of artist Jean-Baptiste Isabey. Bouchet and Isabey met during the 1780s when both were apprentices in David's studio and became lifelong friends. Bouchet exhibited individual, full-length portraits of all four of Isabey’s children at the Paris Salon of 1810. The youngest, seven-year-old Eugène, would go on to an art career which surpassed even that of his father's; appointed court painter to Louis-Philippe, he was awarded the Légion d’honneur in 1832. During a long career, he painted landscapes, genre scenes, and historical subjects, but was best-known for his marine paintings. He was also a respected teacher.

Eugène Louis-Gabriel Isabey, by Louis-André-Gabriel Bouchet, 1810.

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Achille Deban de Laborde (1808-1888), later Baron Dedeban de Laborde, wears a miniature version of the uniform of the 8th Hussars that would have been worn by the father he never knew, the baron Jean-Baptiste Deban de Laborde. Portrayed during the Bourbon Restoration, the eight-year-old boy, the son of a Napoleonic colonel who had been killed at the battle of Wagram in 1809, is surrounded by his father’s military awards, notably his ceremonial sword and the badge of the Légion d’honneur hanging at upper left. Achille would also ultimately rise to the rank of colonel, as a member of the 4th Cuirassiers.

Achille Deban de Laborde, by Alexandre-Jean Dubois-Drahonet, 1817.
The ceremonial saber awarded to his father by Napoléon - then still First Consul - for his performance as squadron leader during the Battle of
Marengo is inscribed "Maringo [sp] 26 Mai 1800". (There seems to be some confusion, as the battle was fought on 14 June of that year.)
His father's badge of the Légion d’honneur is at bottom.

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Louis-André-Gabriel Bouchet (1759, Paris - 7 July 1842, Paris), French history and portrait painter, a pupil of Jacques-Louis David. He won the prix de Rome in 1797, and continued to exhibit until 1819. In 1807 he painted a portrait of the Emperor Napoléon as a pendant to one of the Empress Joséphine by Robert Lefèvre.

Alexandre-Jean Dubois-Drahonet (1791, Paris - 30 August 1834, Versailles), French portrait painter. A student and disciple of Ingres, he first exhibited at the Salon in 1822. In addition to portraiture, he also executed a great number of sketches of various national and military costumes, a commission from King William IV, some of which are included in the British Royal Collection at Windsor. And he also completed work for the French king, Charles X.




Sunday, March 22, 2020

La reine si petite - portrait miniatures of Marie Antoinette


François Dumont.

Putting together a collection of portraits of Marie Antoinette is always a tricky business. Besides the easy pitfall of known images copied by different hands at a later date, combined with the general lack of concern for getting an accurate likeness at the time, you also have to be able to sift through all the portraits that are labeled as Marie Antoinette that probably/certainly aren't; a painting of the martyred Queen is always going to have more allure, have a higher auction value, than one that is merely of some pretty inconnue.

Most of the portraits here are by the hand of the Queen's favorite miniature painter, François Dumont (7 January 1751, Lunéville – 27 August 1831, Paris). His work for her, starting in the 1770s and continuing until only a year before her execution, is usually easy enough to identify. In addition to his particular technique, the position of the head is almost always the same in portrait after portrait; it's therefore likely that the Queen didn't sit for every one, rather that he reused the preferred likeness, only changing the surrounding elements - hairstyle, clothing, background. I haven't always been able to identify which of his pieces here are autograph; I assume that some of these are contemporary copies. And I don't know the dates for most of these, though the decade in which they were produced is not too difficult to surmise given the hairstyles: up for the 1770s, across for the 1780s.

François Dumont.
Jean-Laurent Mosnier, 1775.
François Dumont.
Jean-Baptiste Isabey. Isabey was student of Dumont at the time, and his extreme youth would account for the crude technique and poor likeness.
François Dumont. Possibly a copy.
François Dumont.
Pierre-François Drais, Paris, 1777. I'm not entirely convinced that this is Marie Antoinette.
Pierre-Adolphe Hall.
Pierre-Adolphe Hall. Possibly a copy with variations.
Vincenza Benzi-Bastéris, 1784.
François Dumont.
Ignazio-Pio-Vittoriano (Ignace-Jean-Victor) Campana, circa 1783. Sent to the Queen's paramour, Count Axel Ferson.
Ignazio-Pio-Vittoriano (Ignace-Jean-Victor) Campana, circa 1783. Sent to the Queen's sister, Maria Carolina, Queen of Naples.
 Louis-Marie Sicard, called Sicardi, 1787.
Louis-Marie Sicard, called Sicardi.
Unknown, possibly Dumont.
François Dumont.
François Dumont.
François Dumont. Possibly a copy.
François Dumont. Probably a copy.
Marie Antoinette et ses enfants (Marie-Thérèse-Charlotte et le Dauphin Louis-Charles) au pied d'un arbre, by François Dumont, 1790.
Portrait of the King, Queen, and the duc de Normandie in the style of Louis-Bertin Parant, circa 1790.
François Dumont. Several of her portraits from this last period are "antique" in style.
François Dumont.
François Dumont.
Unknown. This appears to be a mourning ring so, possibly, it was made after the Queen's death.
François Dumont, 1792.
François Dumont, 1792.
The chevalier François de Ginestous, circa 1793, the year of her death.
François Dumont.

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Sometimes the internet lets me down! I've seen this particularly lovely early portrait of the Queen by Dumont reproduced numerous times. And yet when I looked - and looked... and looked - to find an image of it to include here, I could not find one. Only this black and white image; a cropped version with the color gone awry; and some sort of copy of the original, perhaps a colored engraving. Very disappointing....


And while I was at it, another early Dumont portrait turned up - but this was all I could get of it. Argh.