L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Laurits Tuxen. Show all posts
Showing posts with label Laurits Tuxen. Show all posts

Sunday, July 6, 2014

Royal Victorian weddings


Queen Victoria and Prince Albert - 10 February 1840, Chapel Royal, St. James’s Palace - Sir George Hayter (1792-1871)


Victoria, Princess Royal and Prince Friedrich of Prussia - 25 January 1858, Chapel Royal, St. James’s Palace - John Philip (1817-67)


Princess Alice to Prince Louis of Hesse -  1 July 1862, Dining Room, Osborne House - George Housman Thomas (1824-68)


The Prince of Wales and Princess Alexandra of Denmark - 10 March 1863, St. George’s Chapel, Windsor Castle - William Powell Frith (1819-1909)

Still in the depths of her early mourning for Prince Albert, and unable to face
the public display demanded by such an important occasion - the marriage of
the heir to the throne - Queen Victoria all but hid out in Catherine of Aragon's
closet, high above the glittering crowd.
Frith's sketch of Princess Alexandra; not at all a good likeness....

Princess Helena and prince Christian of Schleswig-Holstein - 5 July 1866, Private Chapel, Windsor Castle - Christian Karl Magnussen (1821-96)


Prince George of Wales and Princess Mary of Teck - 6 July 1893, Chapel Royal, St. James's Palace - Laurits Regner Tuxen (1853-1927)


Princess Maud of Wales and Prince Carl of Denmark - 22 July 1896, Private Chapel, Buckingham Palace - Laurits Regner Tuxen (1853-1927)


***

I cannot tell you how I long to identify all the various important figures in these painting, but for once I must needs tamp down my pedantic/show-off-y urges; I simply haven't the time to indulge!


Thursday, February 27, 2014

Two coronations, two sisters - retouched and un-


The recently widowed Dowager Empress Maria Feodorovna, dressed for the coronation of her son, Tsar Nicholas II, in 1896.

A rare unretouched photograph of the Dowager Empress at forty-eight.
And then retouched....
Detail of one of the versions of the below painting.
The Coronation of Nicholas II, by Laurits Tuxen, 1898.  The painting captures the moment in the ceremony
when a shaft of light dramatically struck the crown of the Dowager Empress.

Her sister, Queen Alexandra, dressed for the coronation of her husband, Edward VII, and her own, in 1902.

An unretouched photograph of Queen Alexandra at fifty-seven.
And heavily retouched....
The Crowning of Queen Alexandra, by Laurits Tuxen, 1904.
Queen Alexandra in her coronation gown and robes, by Sir Luke Fildes, 1905.  (The artist has added the Garter riband and badge,
which the queen did not wear during the coronation.)



Sunday, February 16, 2014

The Family of Christian IX, by Laurits Tuxen, 1886



Click to view larger.

Laurits Tuxen (December 9, 1853, Copenhagen – November 21, 1927, Copenhagen), a Danish painter. He was best known for his group portraits of the interconnected royal families of Denmark, Great Britain, Russia, and Greece, and for his thickly peopled scenes of coronations and royal weddings.

Christian IX (April 8, 1818, Schleswig – January 29, 1906, Copenhagen) and his wife, Louise of Hesse (September 7, 1817, Kassel – September 29, 1898, Bernstorff Castle), were king and queen of Denmark from 1863 to 1906. Because of the remarkable dynastic successes of their children, they became known as "The Grandfather and Grandmother of Europe". Their second son, William, was elected King of the Hellenes in 1863, taking the name George I. The same year their eldest daughter married the Prince of Wales, eventually becoming Queen Alexandra of Great Britain. And in 1866, their middle daughter, Dagmar, married the Russian Tsarevich; in 1881, she became the Empress Maria Feodorovna and was the mother of the last tsar, Nicholas II.

The Russian Imperial couple and their youngest son, Mikhail, whose pose differs from that in the finished painting.

The Danish Royal couple and all six of their children were extremely close. As the children married and started families of their own, some of them in different countries, they continued to regularly gather en masse, bringing their spouses and numerous offspring. So it was not at all unusual for the kings of Denmark and Greece, the Tsar of Russia, and the future King of England to be temporarily housed - not all of them entirely willingly - under the same roof. The roof in question was that of Fredensborg Palace, the country estate of the Danish Royal family; the summer days spent together were known amongst the family as the "Fredensborg days".  Tuxen was the artist of choice to commemorate the celebrations of this vast and loving family.  This group portrait was painted in the Havesalen - the Garden Hall - of the palace during the "Fredensborg days" of 1883 to 1886.

There are reduced versions (with variations) of this painting and several preparatory sketches; some may have been worked up after the fact as proper works in themselves.

Reduced version.  (Notice that Grand Duke Mikhail, at the center of the painting, is in a different position than in the original.)
(Grand Duke Mikhail's position in the original.)
Sketch.
The British Royal couple with their elder son, Prince Albert Victor.
The Danish Royal couples youngest daughter, Thyra, Duchess
of Cumberland, with her one of her daughters.
The future Tsar Nicholas II.
The Danish Crown Princess Louise with
one of her daughters.
Group including the three Wales daughters and some of their
Russian and Danish cousins.
Reference photograph of the Danish Royal couple.
Reference photograph of the Russian Imperial couple.
Reference photograph of Empress Maria Feodorovna.
Three vintage views of the Havesalen of Fredensborg Palace.
Fredensborg Palace today.