L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Feodor Chaliapin. Show all posts
Showing posts with label Feodor Chaliapin. Show all posts

Sunday, July 7, 2019

... [His] infinite variety - paintings by Alexander Golovin



I've posted about Golovin previously; I focused then on his paintings that prominently featured flowers, as so much of his work did. But the thing that I find so striking about him and the other Mir iskusstva (World of Art) artists - Benois, Bakst, Lanceray, Kustodiev, Somov, etc. - is the breadth of their artistic talent. They designed costumes and stage sets, painted portraits, landscapes, and still lifes. They designed and illustrated books; some even sculpted. One of the the things I find most remarkable about that artistic milieu is that they were allowed to develop and deploy their gifts in so many directions... and then that they seemed to so effortlessly excel in all those endeavors. Golovin's oeuvre is a perfect example.

Mikhail Ivanovich Tereshchenko, circa 1910-1914.
Birches, circa 1908-10.
Design for "The Dead City" by Gabriele D'Annunzio, 1910.
The ballerina Elena Alexandrovna Smirnova, 1910.
"Mourning Hall" - design for "Masquerade" by Mikhail Lermontov, 1917.
Count Vladimir Ivanovich Kankrin, 1909.
"Clowns" - costume sketches for the opera "The Ice Palace" by Arseny Koreshchenko, 1900.
Feodor Chaliapin as Boris Godunov - study, 1912.
"A terrible play" - design for "Masquerade" by Mikhail Lermontov, 1917.
P. A. Berkman, 1917.
Neskuchny Garden, circa 1910s.
"Portrait of Kahn", 1920.
Three costumes and a curtain design for "Masquerade" by Mikhail Lermontov, 1917.
Lydia Yakovlevna Rybakova, 1920.
"Eurydice's tomb" - design for "Orpheus and Eurydice" by Gluck, 1911.
Mikhail Alexeievich Kuzmin, 1910.
N. P. Efimova, 1921.
"Masquerade Hall" - design for "Masquerade" by Mikhail Lermontov, 1917.
Costume design for Escamillo for the opera "Carmen", 1908.
"View in the park. Landscape with blue pavilion," 1910.
Nadezhda Evseevna Dobychina, 1920.
Portrait of a lady, circa 1920.
Design for "Swan Lake" by Tchaikovsky, 1901.
Portrait of a man, ND.
"Marquise", 1908.
"Marquise", 1908.
Autumn, circa 1920s.
Feodor Chaliapin as Boris Godunov, 1912.
Dmitri Smirnov as the chevalier des Grieux in "Manon" by Massenet, 1909.
Pavlovsk, 1911.
Design for "At the Gates of the Kingdom" by Knut Hamsun, 1908.
Maria Troyanova, 1916.
"The Kingdom of Eros" - design for "Orpheus and Eurydice" by Gluck, 1911.
The singer Valentina Kuza, circa 1910s.
Willows, 1909.
Iosif Izrailevich Rybakov, 1923.



Sunday, June 3, 2018

In the quiet days before the storm - autochromes by Piotr Vedenisov, 1909-14


Tanya, Natasha, Kolya, and Lisa Kozakova, Vera Nikolaevna Vedenisova and Elena Franzevna Basileva, Yalta, 1910.

Piotr Ivanovich Vedenisov (1866-1937), Russian nobleman, professional pianist, amateur actor and photographer. After graduating from the Moscow Conservatory in 1888, he moved to Yalta, where he soon became an important part of the cultural life of the area. He studied the local lore and lectured on the history of the Crimea. He helped organize musical and literary evenings. He studied meteorology. He became friends with the likes of Chekhov, Gorky, and Chaliapin. But outside of music, his greatest interest was photography. He became a master of the Autochome, an early color photographic process, patented by the Lumière brothers in 1903 and first marketed in 1907.


About 150 of his Autochromes survive to this day, all created in a period of five short years, from 1909 to 1914. His work is peopled with his family and close relations - his wife, Vera Nikolaevna, her mother Elena Basileva, and their relatives, the Kozakov family: Andrei Aleksandrovich, Sofya Nikolaevna and their five children - and his friends and fellow musicians. The main themes of these poetic images are daily life - picnics, excursions, dress-up, feasts - and the landscapes of Yalta and Simbirsk Province, where the Kozakovs lived.

Vera Kozakova in  folk dress, 1914. (Two images.)
"Cossack from the Emperor's convoy." (Some of the borderless images, here, look to be copies rather than originals, and the quality has been affected.)
Vera Nikolaevna Vedenisova, the photographer's wife, in folk dress. (Two images.)
Yalta, 1910s.
Yalta, 1914.
"At the fountain."
Andrei Aleksandrovich Kozakov, Yalta, 1911-1912.
Tanya, Vera, and Lisa Kozakova.
Vera Nikolaevna Vedenisova, the photographer's wife.
New Year tree, decorated with national flags of different countries, Nikolskoe, Simbirsk Province, 1911.
Vera Nikolaevna Vedenisova, the photographer's wife, at right.
Vera Nikolaevna Vedenisova, the photographer's wife.
Vera Nikolaevna Vedenisova, the photographer's wife.
"The conductor [leader?] of the mountain club."
Natasha Kozakova (?).
"Not far from Yalta."
"Taurien morning." The Taurida - various spellings - Oblast (province) included most of the Crimea and parts of  Southern Ukraine.
Nikolskoe, Simbirsk Province.
Vera Kozakova (?).
Natasha Kozakova (?), Yalta, 1910.
Tanya and Lisa Kozakova, Yalta, 1910.
"Spring of 1910 in the Crimea."
Kolya Kozakov and the dog Gipsy, Yalta, 1910-1911.