L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Owe Zerge. Show all posts
Showing posts with label Owe Zerge. Show all posts

Sunday, February 11, 2018

And some rope - Saint Sebastian, part II


"Glaube, Liebe, Hoffnung" (Faith, Love, Hope), by Michael Triegel, 2010.
Andrea Vocarro, circa 1640.
Joachim Wtewael, 1600.
(In the style of?) Pierre & Gilles, ND.
Guercino (Giovanni Francesco Barbieri), circa 1632-34.
Giuseppe Vermiglio, circa 1621.
Antonio Bellucci, circa 1716-1718.
Juan de Valdés Leal, second half of the seventeenth century.
From the American Pyrography series, by Robert Sherer. after 1999.
Erzsébet Korb, circa 1921.
Hans Holbein the Elder, 1516.
Tazzio Paris (?), ND.
Guido Reni and Francesco Albani (while they were students of Carracci), circa 1595-98.
Giovanni Battista Caracciolo, 1625.
Nicolas Régnier, circa 1620.
"King Sebastian", by Carlos Barahona Possollo, 1992.
 Marco D'Oggiono, 1520.
Giovanni Battista Cima da Conegliano, circa 1500-02.
Alfred Courmes, 1934.
Peter Paul Rubens, circa 1608.
Mishima as St. Sebastian, by Kishin Shinoyama, 1968. (Two images.)
Hans Memling, circa 1475.
 José de Ribera, 1648.
The studio Jan Van Scorel, 1542.
Mark Nixon, by the Western Photography Guild, circa 1950s.
School of Nicolas Régnier, first half of the seventeenth century.
Marcantonio Bassetti, circa 1620.
Francesco Furini, second quarter of the seventeenth century.
Jean-Baptiste-Camille Corot, 1850-51.
Kristyn Brown, circa 2015.
Carl Schwalbach, 1918.
Bronzino, circa 1533.
Lorenzo Lotto, 1531.
Ronaldo Gutierrez, circa 2009.
School of Caravaggio, 1607.
Paul Troger, circa 1746.
Lodovico Carracci, second half of the sixteenth century.
Gustavo Ramirez Cruz, circa 2014.
 Sir Anthony van Dyck, 1620-21.
Andrea Mantegna, 1506.
Owe Zerge, twentieth century.
School of Giovanni Domenico Cerrini, seventeenth century.
Phil Lambert, by the Western Photography Guild, circa 1950s.



Tuesday, June 24, 2014

Owe Zerge - selected paintings, circa 1919-1948



I hesitate to post these images because of the "questionable" subject matter. The question, of course, is what was the artist's intent in these images of young boys, often nude? And in art, generally, when does the depiction of youthful beauty cross the line and become something else? At what point does the non-graphic nude depiction of a child become exploitive? How old does a young person have to be before they are "safe" to portray naked: physically mature or emotionally mature or statutorily mature? Is the nude figure in contemporary art inherently a sexual object, or does the relative age of the sitter influence that perception? In an era that is over-sexualized, in general - in both the Arts and in our culture - how do we make these sometimes subtle distinctions?


Owe Zerge (1894, Oppmanna - 1983, Kristianstad), Swedish painter. Between 1914 and 1915 he studied at the Althin Målarskola in Stockholm, and then enrolled at the Royal Swedish Academy of Art, where he remained until 1919. The following year he traveled in France and Italy, and he won an honorable mention at the Paris Salon of 1921. By the late Twenties he had settled near his birthplace, building a studio in the village of Arkelstorp, near Kristianstad. He painted a wide variety of subject matter - it appears he made the majority of his livelihood with portraiture - but his paintings and drawings of boys are a large part of his oeuvre.