L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Frederic Lord Leighton. Show all posts
Showing posts with label Frederic Lord Leighton. Show all posts

Friday, January 1, 2021

À l'aurore - for the first day of the new year, a selection of paintings of sunrise

 
Ostermorgen (Easter Morning), by Caspar David Friedrich, circa 1828-35.
 Sunrise Among the Rocks of Paradise, Newport, by John Ffederick Kensett, 1859.
 Bords de l'Oise à l'aube (Banks of the Oise at Dawn), by Louis Hayet, 1888.
 Soluppgång över taken. Motiv från Stockholm (Sunrise over the Rooftops. Motif from Stockholm), by Eugène Jansson, 1903.
 A Wooded River Landscape at Sunrise with Figures in a Boat, a Village Beyond, Circle of Aert van der Neer, circa mid-seventeenth century.
Before Sunrise, June, by Dwight William Tryon, 1905.
Venice: San Giorgio Maggiore at Dawn, by Joseph Mallord WilliamTurner, 1819.
(The images available online for this watercolor vary quite radically. I hope that here I'm sharing something like the original.)
Juste avant le lever du soleil (Just Before Sunrise), by Camille Corot, circa mid-nineteenth century.
A Forest at Dawn with a Deer Hunt, by Peter Paul Rubens, circa 1635.
 Meules près de Chailly, soleil levant (Haystacks at Chailly at Sunrise), by Claude Monet, 1865.
Gryning över Riddarfjärden (Dawn over Riddarfjärden), by Eugène Jansson, 1899.
Sunrise over the Oka River, by Victor Ivanovich Ivanov, circa mid-twentieth century.
 Forest Sunrise, by Albert Bierstadt, circa second half of the nineteenth century.
New England Sunrise, by John Frederick Kensett, 1859.
Le Lever du soleil (Sunrise), by Claude Lorrain (Claude Gellée), circa 1646-47.
Sunrise in the Woods, by George Inness, 1887.
Capri Sunrise, by Frederic, Lord Leighton, 1859.
 Norham Castle, Sunrise, by Joseph Mallord William Turner, circa 1845.
Das Riesengebirge (The Giant Mountains), by Caspar David Friedrich, circa 1830-35.
Wheat Fields with Reaper at Sunrise, by Vincent van Gogh, 1889.
La Seine à l'aube (The Seine at Dawn), by Charles Angrand, 1889.
 L’Aube (Dawn), by Camille Corot, circa 1865-70.
The Rooftops of Venice, with the Campanile of San Marco and San Giorgio Maggiore, from the Hotel Europa (Palazzo Giustinian) at Sunrise, by Turner, 1840.
Soloppgang i Åsgårdstrand (Sunrise in Åsgårdstrand), by Edvard Munch, circa 1893-94.
La Muse au lever du soleil (The Muse at Sunrise), by Alphonse Osbert, 1918.
Windsor Castle at Sunrise, by Sanford Robinson Gifford, circa 1860.
Impression, soleil levant (Impression, Sunrise), by Claude Monet, 1872.
By far, the most famous painting of a sunrise, and whose title inspired the name of the Impressionist movement.

*

On this first day of this new year, leaving the wretched year of 2020 behind, I wish all of us a much brighter, healthier, and happier 2021.

Solen (The Sun), by Edvard Munch, circa 1910-13.



Sunday, July 3, 2016

Dressing up friends - photographs by David Wilkie Wynfield, circa 1863-68


Unidentified man.

David Wilkie Wynfield (1837, India – 26 May 1887, London), British painter and photographer. Born in India, the son of James Stainback Winfield, a captain in the 47th Bengal native infantry, he was named after his maternal great-uncle and godfather Sir David Wilkie. Originally intended for the priesthood, he studied at Leigh’s Art School from 1856 and first exhibited at the Royal Academy in 1859. He was a founding member of the St. John’s Wood Clique of artists, and his paintings are in keeping with the group’s interest in historical genre subjects; he would be the only member of that group not eventually elected a member or associate member of the Royal Academy. Like many of his artistic comrades, Wynfield served in The Artists' Rifles, reaching the rank of Captain and was commander of 'H' Company by 1880. He died only seven years later, though, reportedly of consumption, in his fiftieth year.

Self-portrait.

In the 1860s Wynfield had become interested in photography and developed a technique of shallow-focus portrait photography. (Which he would pass on to Julia Margaret Cameron, who later acknowledged him as the main influence on her own work.) Using an 8 x 6 inch glass plate camera combined with careful lighting and an emphasis on form rather than detail, he was trying to capture something of the effect of Old Master paintings using the new medium. By the middle of the decade, he was working on a large series of portraits of artists (and one architect) - both members of the St. John’s Wood Clique and others - dressed in medieval and Renaissance costume. An early selection of twenty of these photographs was published in book form in March of 1864 under the title The Studio: A Collection of Photographic Portraits of Living Artists, Taken in the Style of Old Masters, by an Amateur.

Simeon Solomon.
William Holman Hunt.
Valentine Cameron Prinsep.
John Phillip.
John Evan Hodgson.
George du Maurier.
Frederick Richard Pickersgill.
Sir Coutts Lindsay, 2nd Baronet.
Frederick Walker.
Same as above.
Carl Haag.
Henry Stacy Marks.
Charles Edward Perugini.
Thomas Oldham Barlow.
Thomas Faed.
William Swinden Barber.
John Dawson Watson.
William Frederick Yeames.
Richard Ansdell.
John Everett Millais as Dante.
Unidentified man.
Alfred Elmore.
Henry Wyndham Phillips.
Frederick, Lord Leighton.
Same as above.