Brotherly - Portrait de deux frères, by Édouard Pingret, 1830

 

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Édouard-Henri-Théophile Pingret (30 December 1788, Saint-Quentin - 3 July 1869 - or 1875, Paris), French painter and lithographer. Born into a middle-class family, his father was yet related to the highest spheres of the Protestant aristocracy. The son studied under painter Jacques-Louis David as well as Jean-Baptiste Regnault, and also at the Accademia di San Luca in Rome. He exhibited in the Paris Salon from 1810 onward, and was made a chevalier of the Légion d'honneur in 1831. From 1850 to 1855 he lived and worked in Mexico City, exhibiting annually at the Academia de Bellas Artes. His most important works in Mexico were costumbrista genre scenes.

The perpetual embrace - portraits of Chang and Eng

Portrait by  Édouard-Henri-Théophile Pingret, 1836; the brothers were fifteen in that year.

Chang and Eng, the first "Siamese twins", are historical figures along the line of Napoléon or Cleopatra, Leonardo da Vinci or Joan of Arc; we know what they're famous for, even if we don't always know much more than that. I didn't want to go into their whole story - you can certainly read about them here, if you like - but I did want to share these few portraits of the brothers. Mainly because I was so pleasantly surprised to find them portrayed so respectfully. There's no sensationalism, very little exoticizing in these images, they're merely straightforward, dignified portraits. Instead of accentuating or caricaturing their ethnicity and disability, the two men are presented as educated and cultured young gentlemen. For the time and under the circumstances... remarkable.

Painting by an unidentified artist, British School, circa 1830s.

Miniature by an unidentified French or Dutch artist, circa 1835-36.

Lithograph based on the above painting, 1836. As is often the case with engravings, the image is reversed.

Colored lithograph of the brothers portrayed in less formal attire, circa 1830s.

Lithograph circa 1839. Eng is holding an open book which contains an illustration of the brothers.

Portrait by an artist only identified as "Irvine", 1830.

Engraving based on the above painting, 1830.

Colored lithograph of the brothers in more "exotic" garb, circa 1829.

Currier and Ives lithograph, 1860. The brothers are shown enjoying various activities, with vignettes of their respective wives and children.

A detail of the Pingret portrait.