L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Petit Trianon. Show all posts
Showing posts with label Petit Trianon. Show all posts

Sunday, April 16, 2023

The precise line of a masterpiece - architectural renderings of the Petit Trianon, circa 1907-08



Originally published in three oversized portfolios in 1907 and the following year, with a single volume also appearing in 1908, the ninety-seven plates with accompanying text were then reprinted in various smaller sized editions upwards of eleven times, the last dated 1929. This is a selection of the plates, a large number of which were renderings of furniture which I've not included, pieces that were used to give the building some semblance of what it looked like before the Revolution, but which actually had little or no connection to the original furnishings or occupants.


Because these remarkable images were created using thousands of very fine lines, they don't digitally reduce well; the lines distort and the images lose definition. Trying to add sharpness back in only distorts them further. So I've added the images to the post in their original size, and it takes an extra step to see them properly. In Windows, click on the image and then right click and choose "Open image in new tab" to view all the incredible detail. (I believe it's a similar process if you're using a Mac.) I apologize for the inconvenience, but the present format is so limiting. I've been looking online for large files of these images for years. Literally. So I hope that blog visitors who're as nerdy as I am about these things will be able to overlook the annoyance of that extra step in order to enjoy all the information and beautiful precision to be found in these exquisite renderings.




Sunday, November 28, 2021

Le parfum pâlissant des temps passés - Versailles and Trianon in Autochromes, circa 1910s-1920s

 
The Belvédère pavilion in the Jardin anglais of the Petit Trianon. (Two images.)

The modern brain seems unable to endure black and white photography. Apparently, historical images really need to be "colorized" to make the people and situations comprehensible, relatable: "Well, you know, that color just brings history to life!"  (Don't get me started... again.) But we do have the Autochrome - a color photographic process in use from the first decade of the twentieth century until the early Thirties - to help these folks along, to possibly divert them away from their fiendish colorizing impulses. I should think that images produced by this method would be something fairly calming to those feverish little color-mad brains, while yet not being an insult to the sensibilities of those of us who have more respect for historical truth and for the rights of the images' original creators, whose aesthetics are perhaps slightly more refined, and who have...what?...an imagination...?

The buildings of the Hameau de la reine. (Eight images.) Here, the maison de la reine. (Four images.)
The moulin.
The colombier and maison du garde.
The colombier.
The boudoir.