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From the series Gente del Delta. |
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From the series Gente dell'Emilia. |
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Il Garzone del Barbiere, from the series Gente del Sud. |
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From the series Gente dell'Emilia. |
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Cefalù, from the series Gente del Sud. |
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Bimbi al Mare. |
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Portatore di Pane, from the series Gente del Sud. |
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La Voce della Madre. |
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From the series Gente dell'Emilia. |
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From the series Gente del Delta. |
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Il Tuffatore, from the series Gente dell'Emilia. |
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I Ragazzi della Via. (Three images.) |
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From the series Gente dell'Emilia. |
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From the series Gente del Sud. |
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Bambine, from the series Gente dell'Emilia. |
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Periferia.
|
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From the series Gente dell'Emilia. |
*
Nino Migliori (29 September, 1926, Bologna), Italian photographer.
Self-taught, he began taking photographs in 1948, his best-known work
exemplifying the Neorealismo movement that dominated
photography as well as film, literature, and other art forms in Post-WWII
Italy. By the end of the 1950s he had completed a celebrated group of series
- Gente dell'Emilia, Gente del Sud, Gente del Delta, Gente del Nord - that documented life in provincial Italy, an Italy that still struggled with poverty, still clung to its traditions, even while the country experienced a decade of recovery and radical transformation.
As of this writing, he is ninety-four, still living and working in the place
of his birth, Bologna.
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