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Hommage au Bronzino, 1940. |
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Circa 1940. |
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Narcisse - pour le poème de Valéry, 1947. |
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Gerard Philipe in Le Diable au Corps, 1947. |
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Jean Marais, 1938. |
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Jean Cocteau sur son lit de mort et Vilmos Szécsi, 1963. |
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Étude de torse, 1940. |
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L'Ouvrier, 1946. |
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Serge Reggiani, circa 1945. |
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Louis Jourdan, 1939. |
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Le Dormeur, circa 1945. |
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Torse d'homme, 1939. |
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Le Repos pour Michel Ange, 1942. |
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Jean Marais, 1938. |
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Yves Montand in Les Portes de la nuit, 1946. |
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Circa 1940s. |
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1942. |
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Jean Marais and Edwige Feuillère in L'Aigle à deux têtes, 1948. |
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Antonin Artaud, 1931. |
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Jacques Sernas, 1947. |
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Jacques Sernas, circa 1947. |
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Jacques Sernas, circa 1947. |
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Raymond Voinquel (11 January 1912, Fraize - 15 July 1994, Paris), French photographer. Specializing in portraits and male nudes, he is probably best remembered as the still photographer on upwards of one hundred and sixty films. During a span of more than forty years, beginning in the Thirties, he worked with the likes of Marcel Carné, Jean Cocteau, Yves Allégret, Max Ophüls, Jean-Pierre Melville, Luis Buñuel, Jean Renoir, Marcel L'Herbier, and Alfred Hitchcock.
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Self-portrait, 1938. |
Monseur Voinquel , a son of the Vosges, a fine photographer of the french firmament
ReplyDeleteBeauty, glamour, emotion, symbolism and the sublime. Extrodinaire !
And Gods and Grandeur, you have an informative and beautiful blog,
Thank You for sharing it with us.
-Rj in the IE (USA)
Great Post, thanks for sharing!
ReplyDeleteI was looking for info about that photograph L'Ouvrier, glad I stumbled upon your blog