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| The model is posed in front of a large oil painting, Les luteurs, a preparatory sketch for the La Lutte équestre sculptural group. (See below.) |
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| Here, the model is also posed in front of a large painting, apparently on the same subject, though it looks slightly different. |
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Jacques de Lalaing (4 November 1858, London – 10 October 1917, Brussels), Anglo-Belgian painter and sculptor, specializing in animals. Born the son of a Belgian diplomat and an English
aristocrat, he was raised in England until 1875, when he moved to
Brussels. He trained as an artist under Jean-François Portaels and Louis Gallait at the A
cadémie Royale des Beaux-Arts in Brussels, showing first as a painter. But he began to sculpt in 1884. As a painter he continued to work in a
realistic, naturalistic style, as a portrait painter and producing
historical scenes. As a sculptor he produced allegorical bronzes and
memorial art. In 1896 he became a member of the A
cadémie Royale where he'd
studied, and from 1904 through 1913 he served as its director. He died in the midst of World War I a month before his fifty-ninth birthday.
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| The artist. |
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Perhaps his best known work, La Lutte équestre or Le combat des cavaliers (1899-1908), at the entrance to the Bois de la Cambre, Brussels.
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| Two vintage photographs. |
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| Three contemporary images. |
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| Les lutteurs, a large scale preparatory oil sketch for the sculpture, 1884. |
INteresting ... (in a very good way.)
ReplyDeleteLa lutte equestré, très dramatique et dynamique.
ReplyDeleteIssu d’une famille de la noblesse belge, Monsieur de Lalaing était un peintre et sculpteur de grand talent.
La Première Guerre mondiale a tué des hommes soit par les balles, soit par le stress.
-Beau Mec à Deauville