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| Portrait of a Young Girl, by Jean-Baptiste-Camille Corot, 1859. |
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| Horse by the shore, summer night, by Nils Edvard Kreuger, 1902. |
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| Portrait of Félix Jasinsky, by Félix Vallotton, 1887. |
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| Woman with Glasses, by Yōshū Chikanobu 楊洲周延, 1897. |
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| Portrait of Mercedes Mendeville, condesa de San Félix, by Joaquín Sorolla y Bastida, 1906. |
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| An Australian, by Hilda Rix Nicholas, 1926. |
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| A standing male nude, pulling a rope, circle of Théodore Géricault, circa 1810-13. |
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| Courtesy Stephen Rutledge. |
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| Bullfinches, by Bruno Liljefors, 1885. |
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| Eighteenth century Katabira (summer kimono) with patterns of dry hedges, carnations, and swallows. |
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| Jeune femme aux fleurs, by Jean-Gabriel Domergue, 1928. |
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| Valkyrie, by Heinrich Bürck, 1881. |
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| When Poverty Comes in at the Door, Love Flies out at the Window, by George Frederic Watts, 1892. |
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| Portrait of a Gentleman with a Sword, by Amico Friulano del Dosso, circa 1515-20. |
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| Man in Landsknecht reenactment costume, 2017. |
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| Easter Sunday, Harlem, by Arthur Fellig (Weegee), circa 1940. |
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| Circa 1870s. |
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| Angus Og - God of Love and Courtesy Putting a Spell of Summer Calm on the Sea, John Duncan, 1908. |
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| Les Peupliers, by Henri-Jean Guillaume Martin, circa 1937. |
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| Polychrome glazed terracotta medallion bust of a laureate, by Andrea Della Robbia, circa 1492. (Two images.) |
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| Equipage de faucons laniers et de faucons pèlerins, by Carstian Luyckx, circa 1650-60s. |
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| Portrait of Thomas Orde, later Orde-Powlett and 1st Baron Bolton, by Pompeo Batoni, 1773. |
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| Corinth, 1898. |
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| Adam and Eve, by Harald Slott-Møller, 1890-91. |
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| Courtesy Stephen Rutledge. |
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| "La Belle Rose", a Madame Meeley of Philadelphia design created for sisters Ann and Elizabeth Stetson for their social debuts, 1927. |
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| Portrait of a Lady, by Benedetto Ghirlandaio, circa last quarter of the fifteenth century. |
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| French School, eighteenth century. |
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| The Hall of Antiquities at Charlottenborg Palace, Copenhagen, by Adam August Müller, 1830. |
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| Photograph by Josep Masana, 1930. |
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| Conrad Veidt costumed for "Lucrezia Borgia", 1922. |
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| Falcon, by Edwin Landseer, 1837. |
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| Reverie, by Edgard Maxence, circa 1914-17. |
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| Portrait of the dancer Nikolai Stepanovich Poznyakov, by Konstantin Somov, 1910. |
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| Portrait of a member of the Dashwood family, by George Romney, 1787. |
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| Portrait of María Luisa Maldonado, marquesa de Torneros, by Joaquín Sorolla y Bastida, 1907. |
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| Une soirée au carnaval, by Henri-Julien-Félix Rousseau, 1886. |
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| The Owens-Thomas house, Savannah, Georgia, designed by the English architect William Jay, completed in 1819. (Photograph courtesy Andrew Hopkins, 2020.) |
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| Courtesy Stephen Rutledge. |
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| Winter, by Vojtěch Hynais, 1901. |
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| Allegory of Autumn, attributed to Giovanni Maria delle Piane, called Mulinaretto, circa 1690-1740 |
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| Day dress, 1869. |
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| Portrait of Clarita Seminario, by Raimundo de Madrazo y Garreta, 1911. |
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| Ballerina Tamara Toumanova photographed by Luis Lemus for Vogue, 1948. |
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| Portrait of an Austrian officer, Lombard School, circa mid-nineteenth century. |
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| Jeune berger assis, by Hippolyte Flandrin, circa 1834-35. |
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| Intérieur d'atelier, by Louis Gustave Cambier, 1891. |
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| Flowers, by Raoul Hynckes, 1941. |
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| Courtesy Ralf De Jonge. |
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| Femme de Bolbec, hand-colored lithograph after Eugène Devéria, circa 1825-45. |
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| Autumn Beeches, by John Fabian Carlson, 1908-15. |
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| Rest, by Gerardo Sacristán Torralba, 1929. |
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| Mexican agricultural laborers who have come to help harvest beets, eating their lunch, Stockton, California, photograph by Marjory Collins, May 1943. |
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| Autumn Sonata, Klemens Brosch, 1920. |
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| Pond Song, by Victor Coleman Anderson, circa 1910-30. |
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| Park von Versailles, by Hermann Göhler, circa first half of the twentieth century. (The figures are dressed in the style of the end of the 1860s.) |
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| In Paradise, by Max Švabinsky, 1918. |
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| Commode by Charles Cressent, circa 1730. |
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| Study of a Black Model, by Max Pietschmann, 1885. |
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| Mary, Queen of Scots Bedroom, Holyroodhouse, by Alexander Fraser, circa 1884. |
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| Siegfried, by Thomas Theodor Heine, 1921. |
















































































