L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Sunday, December 8, 2024

L'occhio più preciso - selected works by Cagnaccio di San Pietro

 
 L’Alzana, 1926.
Natura morta con peperoni, 1923.
 Preghiera, 1932.
Il Randagio, 1932.
Natura morta, 1934.
Ragazza davanti allo specchio, 1932.
Ritratto della signora Vighi, 1930-36.
Portrait of a boy,1929.
Portrait of a girl, 1929.
Primavera, 1923-25.
La Madonnina del dolore, 1936.
 Bambini che giocano, 1925.
Limone e granseola su tovaglia bianca, 1934.
Bambina, 1935.
La Partenza, 1936.
Natura morta con pesci, 1926.
Fortunata e lo specchio, 1925.

*

Cagnaccio di San Pietro (né Natale Bentivoglio Scarpa, 14 January 1897, Desenzano del Garda - 29 May 1946, Venice), Italian Magic Realist painter. Born in the province of Brescia, in Lombardy, he attended the Academy of Fine Art in Venice, where he studied under Ettore Tito. His early paintings were in a Futurist idiom, but by the early 1920s he had adopted a very smoothly brushed, precise and almost clinical realism. His work, which includes portraits, nudes, still lifes, genre and religious pictures, shows the influence of the German painters of the Neue Sachlichkeit. His health declined in the 1940s, and he spent the war years hospitalized in Venice, where he died at the age of only forty-nine.

Autoritratto, 1938.



Sunday, December 1, 2024

Randomly XXIX

 
Doppelbildnis Marées und [Franz] Lenbach, by Hans von Marées, 1863.
Orange glass jug with green cutting, by Marie Krøyer, 1884. 
 Portrait Study of a Lady, by Gerald Leslie Brockhurst, circa early 1930s.
 Portrait of a Young Man, by James Van Der Zee, circa 1931-37.
Boy Bathing - study for "Summer Morning," by Henry Scott Tuke, circa 1886.
Naturaleza muerta con Dorada, by Francisco Goya, circa 1808-12.
 Mikhail Mordkin, circa 1920s.
Five studies, by Ferdinand Küss, circa 1838.
Amos Simon Cottle, by William Palmer 1787.
L'homme couché - study for Une baignade Asnières, by Georges Seurat, 1883-84.
French language poster for "The Great Sinner," 1949.
Portrait Sketch of a Young Man, by Oliver Messel, 1930.
Bronze volute krater, from Pompeii, House of Volusius Faustus, circa end of the 1st century BC-beginning of the 1st century AD.
Stereoscopic photograph of a strongman holding Indian clubs, circa 1853-1860s.
Prince Grigori Wolkonsky at the Cardwell’s Hotel in Madeira Island, Portugal, by Vicente Gomes da Silva, 1887.
“The Intellectual Summer Holiday," by William Heath Robinson, 1925. Published in The Bystander, June 10, 1925.
Cathrine Lundbye, née Bonnevie, the artist's mother, by Johan Thomas Lundbye, 1836.
The Spanish Dancer, by Henri de Toulouse-Lautrec, 1888.
Alastair William Matthew Brodie (1871-1899); he died during the 2nd Boer War.
Nude study, unknown artist, circa 1900.
Buster Keaton with his sons James and Robert, 1928.
Allégorie de la victoire, by Mathieu Le Nain, circa 1635.
Head of a princess of the New Kingdom, Amarna Period - the latter half of the eighteenth Dynasty, circa 1353-1336 BC.
Painting by Matthijs Röling, 1968.
 Portrait of a young man, called Prince Rupert, by Gerrit van Honthorst, circa 1635-40.
Reclining nude, by Giulio Bargellini, circa 1900.
 An Elegant Couple Making Music in an Interior, the circle of Johann Heinrich Tischbein the Elder, circa 1780s.
 The bedroom of the duchesse de Berry in the Pavillon de Marsan, the Tuileries, by Jean-François or Auguste-Siméon Garneray, 1822.
Man in Bed, Harlem, by Aaron Siskind, 1940.
 Reclining Young Woman in Spanish Costume, by Édouard Manet, 1862-63.
Coach Fendley Collins practicing with a wrestler, Michigan State University, circa 1940s-50s.
Anna Pavlova and  Mikhail Mordkin in "Valse caprice," 1910.
 Trompe l'Oeil with a Bust of Venus, by Caesar van Everdingen, 1655.
 Still Life with Roses and Strawberries, by Otto Diderich (Didrik) Ottesen, 1843.
Female nude, by Joaquin Sorolla y Bastida, 1902.
 Icarus Fallen, by Alfred Schwarzschild, 1920.
La Chienne Rita endormi, by Frédéric Bazille, 1864.
Able Seaman of the HMS Stork with the ship's mascot "Buster," 1942.
Autoportrait au miroir de bambou, by Édouard Vuillard, circa 1890.
The Fortune Teller, by Frédéric Bazille, 1869.
American Gladiators, by Francis Luis Mora, 1908.
 Charlotte -Victoria Elisabeth Augusta Charlotte - Prinzessin von Preußen, later Duchess of Saxe-Meiningen, by Philip de László, 1899.
Czech strongman Gustav Frištenský, circa 1900.
Elisabeth Bellinghausen, by Bartholomäus Bruyn, usually called Barthel Bruyn the Elder, circa 1538-1539.
 Advertisement for Knapp Hats, original artwork by Percy Edward Anderson, circa 1920s.
 The Ziegfeld Theater, architects Joseph Urban and Thomas W. Lamb, 1927. (Demolished in 1966.)
Japan, 1950s.
La Ronde Enfantine (Beneath the Trees at Port-Bertaud / Children Dancing), by Gustave Courbet, circa 1862.
The Nile Delta, Kafr El Cheikh Khalil, by Bernard Guillot, 2004.
 Un thé à l'Hôtel Ritz, Paris, by Boris Lipnitzki, 1930.
Still Life with Melon and European Roller, by Antal Jozsef Strohmayer, circa second half of the nineteenth century.
Portrait of Kazu (Kazuyoshi Miura, Japanese soccer player), by Herb Ritts, 1995.
Portrait of a lady with a chain and shackles, Spanish School, circa second half of the seventeenth century.
 Dress, red rayon crepe with silver-gilt leather piping, Saks Fifth Avenue, 1938.
Drapery Study for a Seated Figure, by Leonardo da Vinci, circa 1470.
 Untitled, by Walter Dean Goldbeck, circa first quarter of the twentieth century.
Dancers Leonora Hughes and Maurice Mouvet, by Edward Steichen, 1924.
Self-Portrait, by Charles Fairfax Murray, circa 1860s-70s.
Stage designer and actor Albrecht Becker, by Gustav Becker, circa 1930.
Fürstin Maria Josepha Hermenegilde von Esterházy, née Liechtenstein, by Angelika Kaufmann, 1795.
Duchess Peony, by Mia Tarney, 2007.