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| From the series Gente del Delta. | 
  
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| From the series Gente dell'Emilia. | 
  
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| Il Garzone del Barbiere, from the series Gente del Sud. | 
  
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| From the series Gente dell'Emilia. | 
  
  
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| Cefalù, from the series Gente del Sud. | 
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| Bimbi al Mare. | 
  
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| Portatore di Pane, from the series Gente del Sud. | 
  
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| La Voce della Madre. | 
  
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| From the series Gente dell'Emilia. | 
  
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| From the series Gente del Delta. | 
  
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| Il Tuffatore, from the series Gente dell'Emilia. | 
  
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| I Ragazzi della Via.  (Three images.) | 
  
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| From the series Gente dell'Emilia. | 
  
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| From the series Gente del Sud. | 
  
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| Bambine, from the series Gente dell'Emilia. | 
  
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| Periferia. 
 | 
  
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| From the series Gente dell'Emilia. | 
  
*
  
    Nino Migliori (29 September, 1926, Bologna), Italian photographer.
    Self-taught, he began taking photographs in 1948, his best-known work
    exemplifying the Neorealismo movement that dominated
    photography as well as film, literature, and other art forms in Post-WWII
    Italy. By the end of the 1950s he had completed a celebrated group of series
    - Gente dell'Emilia, Gente del Sud, Gente del Delta, Gente del Nord - that documented life in provincial Italy, an Italy that still struggled with poverty, still clung to its traditions, even while the country experienced a decade of recovery and radical transformation. 
  
  
    As of this writing, he is ninety-four, still living and working in the place
    of his birth, Bologna.
  
  
  
  
   
 
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