L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Manet. Show all posts
Showing posts with label Manet. Show all posts

Sunday, February 8, 2026

Chasing Velázquez, chasing Manet - "Manuelito, the Circus Lad" by Glyn Philpot, 1909

 

This is the painting said to have launched Philpot's career. He had begun his formal art education at the Lambeth School of Art at the age of only fifteen and later, in 1905, at the Académie Julian in Paris. But the first great turning point in his artistic development came in 1908, during his travels in Spain. Upon returning to Britain, he embarked on a series of paintings inspired by his experiences in Spain, work that clearly shows the lingering influence of Goya and Velázquez, those artists that had, previously, had such a strong effect on, among others, Manet and Sargent. (In fact, it's nearly impossible not to see a direct line from Manet's Spanish-themed paintings to this piece.) 


"Manuelito, the Circus Lad" was first exhibited at the Modern Society of Portrait Painters in 1910, causing a sensation, and focusing the spotlight on the young artist, who would soon become a greatly sought-after society portraitist. After being shown at the Venice Biennale in that same year, the painting was bought by the Stedelijk Museum in Amsterdam, in whose collection it still resides.



Friday, August 18, 2023

Inspirational brioche - from Chardin to Manet

 
La Brioche, by Jean-Baptiste-Siméon Chardin, 1763.

It's said that Manet referred to the still-life as the "touchstone of the painter", and throughout his career he worked at examples of that genre. One of his most elaborately composed still-lifes, his La Brioche of 1870, was inspired by a painting of that same title by the great Chardin which had only entered the collection of the Louvre the year before, part of the famous bequest of Dr. Louis La Caze. 

La Brioche, by Édouard Manet, 1870.

In the following years, Manet would again find inspiration in the iconic version, known as the brioche à tête or brioche parisienne.

Nature morte, brioche, fleurs, poires, by Édouard Manet, 1876.
Nature morte, brioche, by Édouard Manet, 1880.



Friday, October 14, 2022

As the season ends - a selection of paintings of flowers and fruit

 
The Nasturtiums, No. 2, by Thaddeus Welch, circa 1861-1897.
Still Life with Fruit, by Isaac Soreau, circa 1638.
Autumn Bouquet, by Vanessa Bell, 1912.
An Imaginary Carnation, Aurangabad, North Deccan, 1669 AD.
Still Life with a Carafe, Flowers, and Fruit, by Henri Fantin-Latour, 1865.
Basket of Fruit, by Caravaggio, circa 1599.
Tulips, Rose, Honeysuckle, Apple Blossom, Poppies and Other Flowers in a Glass Vase, with Butterflies, on a Marble Ledge, by Rachel Ruysch, circa early 1690s.
Bouquet of Peonies, by Édouard Manet, 1882.
Still Life with Fruit, by Jacob van Walscapelle, 1675.
Pomegranates, by John Singer Sargent, 1908.
Floral Arrangement with Berries, by Fernand Renard, circa second half of the twentieth century.
The Basket of Wild Strawberries, by Jean-Siméon Chardin, circa 1761.
Basket of Flowers, by Juan de Arellano, circa mid-seventeenth century.
Still Life with Roses, by Félix Vallotton, 1920.
A Glass Compote with Peaches, Jasmine Flowers, Quinces, and a Grasshopper, by Fede Galizia, circa 1600.
Guelder Roses and the Venus de Milo, by Édouard Vuillard, 1905.
Strawberries, by  William Hammer, 1874.




Sunday, October 31, 2021

Dark ladies - an acknowledgement of Halloween, 2021

 
Lady Michelham, by Federico Beltrán Masses, 1920.
Sonja, by Christian Schad, 1928.
Portrait of a Noblewoman Dressed in Mourning, by Jacopo Chimenti, called Jacopo da Empoli, circa 1600.
La Dame sombre, by James Ensor, 1881.
The Young Widow, by Rolland Lefebvre, circa 1665.
Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, by Edgar Degas, 1875.
The Empress Doña Margarita de Austria in Mourning Dress, by Juan Bautista Martínez del Mazo, 1666.
Portrait of a lady, unknown artist, 1918. The painting is signed, upper right, but I can't make out the name.
A Lady with a Black Veil, by Nikolaos Kantounis, 1819.
 Portrait of a lady, by Alessandro Allori, circa 1590-99.
Olimpia Maidalchini, by Diego Velázquez, 1650.
Portrait of Berthe Morisot with Hat, in Mourning, by Édouard Manet, 1874.
A Lady of the Horton Family, unknown artist, circa 1655.
Portrait of a lady, by Emmeline Deane, 1885.
Anne Dacre, Countess of Arundel, English School, circa first third of the seventeenth century.
Portrait of a woman, unknown artist, circa 1865.
Marie Dihau, by Edgar Degas, circa 1867-68.
Maria Elisabeta Dulliker, née Balthasar, Swiss School, seventeenth century.
 Moonlight, by Edvard Munch, 1893.
Lady in Mourning, by Martin Mendgen, 1930.