L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Sunday, March 2, 2025

Gertie, tonight - Gertrude Lawrence in Hartnell for Coward by Horst, Vogue, 15 November 1936

 

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When the image is enlarged, the rather crude retouching of Miss Lawrence's slightly less than aristocratic nose is quite obvious.
The two relevant pages from Vogue. (In the above, it's clear that, for publication, the nose in question has been re-retouched.)

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Two images of the We Were Dancing gown "in action." This photograph credited to Vandamm.
Photograph - presumably for Shadow Play - by Sasha (Alexander Stewart).



2 comments:

  1. Retouching to flatter the client, as was done at the royal courts of Europe by court painters of royal portraits. A large nose made smaller, a double chin disappears, the corpulent made slimmer and so on. An example of this were some portraits of the Hapsburg monarchs of Austria and Spain.
    -Rj

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    Replies
    1. Oh, certainly! Retouching came in almost at the same time photography, itself, did; the "truthfulness" of the photographic image was just too much of a shock for some! ; )

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