Laughing empress - Ava Gardner as the Empress Elisabeth of Austria, on the set of "Mayerling", 1968

 

Photographs by Terry O'Neill.

The phantom gloved hand appearing in many of these images was attached to the person of the great James Mason who played Gardner's husband in the film, Austrian Emperor Franz Joseph. The lead roles in "Mayerling" were played by Omar Sharif and Catherine Deneuve as the tragic lovers Archduke Rudolf and his mistress, Baroness Mary von Vetsera. A handful of images of the three can be seen in O'Neill's contact sheets.

His brother's face - Ludwig and Emil Schulthess, chalk drawing by Hans Jakob Oeri, circa 1818

 

Born 21 August 1805 in Zurich, and raised in the venerable - and still extant - Lindengarten house at Hirschengraben 18, the twin boys were, along with two other brothers, the children of councilor, banker and, silk merchant Leonhard Schulthess and his wife Dorothea Nüscheler.

Ludwig Schulthess - at left - became an important engineer and draftsman. Having studied in Vienna and Karlsruhe, he returned home and married in 1833; he and his wife had four children before he died of typhus 10 May 1844 at the age of only thirty-eight.

Emil - at right - joined his parents' silk business. He also worked as a heraldist and landscape painter, creating numerous views of castles and churches in the canton of Zurich as well as old Zurich. He died 15 September 1855 at the age of fifty.

Ludwig - and very possibly both brothers - was said to be color blind, certainly a reason that their preferred medium was sepia.

Oeri may have had special insight when it came to a portrayal of twins, as the artist was a twin himself.

Die ganz große Familie - Moritz, Landgraf von Hessen-Kassel and "crew" by August Erich, circa 1618-1630

 

Landgraf Moritz von Hessen-Kassel mit seiner Familie. Apparently worked on for twelve years, the painting measures 230.5 cm x 422 cm (90.7 inches x 13.8 feet).

Landgraf Moritz - also called Moritz der Gelehrte (the Learned) - was a great supporter of the arts. He built the first permanent theatre in Germany in 1605 while he, himself, was a serious musician and composer. But his conversion to Calvinism caused a far reaching conflict in the region, and his unwise handling of his state's finances finally resulted in his abdication in 1627, five years before his death. This vast painting celebrates the family he made with his second wife, Juliane, who he married in 1603. There were six children born to his first wife, Agnes of Solms-Laubach, but only one was still alive by the time this family portrait was begun. The last of the children born during that first marriage, Wilhelm, who succeeded his father, is not included in this group.

The huge group portrait is not a great work of art - the drawing is crude and, typical of the period, the figures are awkward and stiff - but the wealth of detail is remarkable. It isn't merely the precise rendering of the elaborate clothing, but also the personal touches. The two dogs; the chairs the three smallest children sit on; the two sisters holding hands; and all the toys enjoyed by the smaller children. Rattles, a doll, a tiny crossbow, flowers, a drum, a hobbyhorse. These things, almost in spite of the artist's relative lack of skill, bring a real sense of life to this monumental record of diese ganz große Familie.

Moritz Landgraf von Hessen-Kassel (25 May 1572 - 15 March 1632).

Juliane, Landgräfin von Hessen-Kassel, née Countess of Nassau-Siegen (3 September 1587 - 15 February 1643).

I'm not quite sufficiently crazy as to attempt an identification of each child. Though it might seem not impossible to guess, comparing birth dates with their apparent relative ages, it should be noted that several of the children had not been born when the painting was begun, and at least three had died before it was finished; the fourteen children portrayed here were not all living at the same time.

Philipp (26 September 1604 - killed in battle, 17 June 1626).
Agnes (14 May 1606 - 28 May1650), married John Casimir, Prince of Anhalt-Dessau.
Herman (15 August 1607 - 25 March 1658), inherited Rotenburg.
Juliane (7 October 1608 - 11 December 1628).
Sabine (5 July 1610 - 21 May 1620).
Magdalene (25 August 1611 - 12 February 1671), married Erich Adolf, Count of Salm-Reifferscheid.
Maurice (13 June 1614 - 16 February 1633).
Sophie (12 September 1615 - 22 November 1670), married Philip I, Count of Schaumburg-Lippe.
Frederick (9 May 1617 - killed in battle, 24 September 1655), inherited Eschwege.
Christian (5 February 1622 - 14 November 1640).
Ernest (17 December 1623 - 12 May 1693), inherited Rheinfels.
Christine (9 July 1625 - 25 July 1626).
Philipp (28 September 1626 - 8 July 1629).
Elisabeth (23 October 1628 - 10 February 1633).

*

August Erich (26 July 1591, Eisenach - 12 May 1670, Eisenach), German artist and councilman of the city of Eisenach. Unfortunately, I haven't been able to find any other information about this artist.

Ladies on sofas - six paintings... also, three dogs

 

Little White Dog, by Henri Lebasque, 1905.

The Pink Dress, by William Nicholson, 1934.

Madame Simone (the stage and pen name of Simone Le Bargy née Pauline Benda), by Henry Caro-Delvaille, 1908.

The Countess of Crawford and Balcarres, by Sir William Orpen, 1914.

 Elizabeth, Lady Webster, later Lady Holland, with her spaniel Pierrot, by Louis Gauffier, circa 1795.

Pierrot!

Woman Seated on a Sofa in an Interior, by Frederick Carl Frieseke, 1914.