Baby brother - Archduke Ludwig Viktor of Austria

 

Archduke Ludwig Viktor Joseph Anton of Austria (15 May 1842, Vienna – 18 January 1919, Schloss Klessheim), the youngest child of Archduke Franz Karl of Austria and his wife Princess Sophie of Bavaria; his elder siblings were Emperor Franz Joseph I of Austria, Emperor Maximilian I of Mexico, and Archduke Karl Ludwig. Bearing the nicknames "Luziwuzi" and "Bubi" within the family circle, he was spoiled and indulged, and came to be known for his wit and sharp tongue. His open homosexuality was surprisingly well tolerated by his family, though kept a secret to the outside world, thanks to the strict censorship employed during his brother the emperor's rule. Like all Habsburg males, he was expected to pursue a military career but, unlike his brothers, he took no interest in politics, preferring to spent his time in social activities and art collecting. 

Since the irises of light colored eyes often seemed to disappear in early photography, they were often, as here, drawn back onto the print.

In spite of his quite obvious sexual proclivities, his mother tried to arrange a marriage for him with his first cousin Duchess Sophie Charlotte in Bavaria, youngest sister of Empress Elisabeth, but he declined. (Duchess Sophie would later endure a broken engagement with another homosexual cousin, Ludwig II of Bavaria.) In 1863, his brother Maximilian, soon to embark on his disastrous Mexican venture, tried to persuade Ludwig Viktor to marry Isabel, daughter and heir presumptive of Emperor Pedro II of Brazil, arguing that "such a marriage might found yet another Habsburg dynasty in Latin America." This union he also declined. 

With his immediate family, 1860.

Back row: Emperor Franz Joseph I, Archduke Maximilian and his wife Charlotte of Belgium, Archduke Ludwig Viktor, Archduke Karl Ludwig.
Front row: Empress Elisabeth with her children Rudolf and Gisela, Archduchess Sophie and her husband Archduke Franz Karl. 

The brothers: Archduke Karl Ludwig, Emperor Franz Joseph I, Archduke Maximilian, Archduke Ludwig Viktor.

The brothers: Archduke Ludwig Viktor, Emperor Franz Joseph I, Archduke Karl Ludwig, Archduke Maximilian.

That same year, at the age of twenty-one, Ludwig Viktor commissioned architect Heinrich von Ferstel to design and build a city palace. The Palais Erzherzog Ludwig Viktor, the first building to be erected on the new Schwarzenbergplatz, and now a subsidiary house of the Burgtheater, was completed three years later. Within its walls, the archduke began to fully indulge his great passion for art collecting and lavish entertaining. Photographs from this period exist showing him in women's clothes. I haven't been able to determine whether he was a regular "crossdresser", as he is often rather derisively described, or that he merely wanted a visual record of having dressed in that manner for a costume party or amateur theatrical. 

In the same dress and setting as the image above. The others are unidentified.

A double exposure, the archduke wearing both male and female attire.

Also in 1866, his brother the emperor ceded to him Schloss Klessheim, a Baroque palace four kilometers to the west of Salzburg; originally built as a summer palace, between 1880 and 1882 it was enlarged by the archduke's same architect, von Ferstel. He was popular in Salzburg and, as a member of the imperial family, he became one of the leaders of society, assuming the patronage of the Salzburg Society of Art, known for his philanthropy and his splendid parties. Apparently, however, officers stationed in Salzburg were soon forbidden to accept his invitations, his "inclinations" being the whispered explanation.

The fairly free hand the archduke was given regarding his personal life came to an end in 1904. (Or 1906, or some other date; the facts of Ludwig Viktor's life are hard to come by, the results often contradictory.) A frequent and familiar visitor to Vienna's Central Bathhouse - the Central-Bad Wien - where he was know to make assignations, often proffering gifts to likely young men, an incident occurred there that couldn't be entirely hushed up: he made unwanted advances to another man or a bath attendant resulting in the archduke being slapped or otherwise roughed up. The scandal leaked out, and his brother the emperor, remarkably tolerant up to this point, banished him from the capital, ordering him to retire to his Salzburg estate.

In addition to the retouching of his protuberant left ear, the medal on his chest has been crudely drawn on, probably on the negative.

He lived out his last fifteen years at Schloss Klessheim, surrounded by his vast collection of art, silver, jewelry, furniture, porcelain, etc. In 1915, due to "mental incapacity" - perhaps some form of dementia? - he was put under the care of a conservator. Only months after the end of WWI and the fall of the Austro-Hungarian empire, he died at the age of seventy-six, the last of his immediate family, on the same day as the commencement of the Paris Peace Conference in Versailles. As per his wishes, he was buried in Salzburg's Siezenheim cemetery rather than the Imperial Crypt in Vienna. The Schloss Klessheim was sold the same year by the Habsburg family, and his enormous collection of art and objects took nearly a full year to auction, in 1921-22.

Portrait by Heinrich von Angeli, 1874.

Vier seizoenen, ingesloten - four paintings by Matthijs Röling, 1975-76

 

Lente / spring.

Zomer / summer.

Herfst / autumn.

Winter / winter.

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Lente / spring - details.

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Zomer / summer - details.

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Herfst / autumn - details.

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Winter / winter - details.

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Matthijs Nicolaas Röling (31 March 1943, Oostkapelle), Dutch painter, graphic designer, muralist, printmaker, and teacher. Educated at the Royal Academy of Art, The Hague from 1960 to 1963, and at the Rijksacademie in Amsterdam in 1963-1964, his first museum exhibition took place in 1965 in the Drents Museum in Assen. In 1972 he became a lecturer at the Academie Minerva in Groningen. He also lectured at the Classical Academy for fine art in Groningen. His artistic breakthrough came in 1976 with a series of still lifes, which he called cabinets. In 1983 he made his first big mural in the Nijsinghhuis in Eelde. He has been described as a "figurehead of contemporary figurative painting in the Netherlands."

Woof! - a selection of dog portraits and genre paintings by Charles van den Eycken

 

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Charles van den Eycken (or Charles van den Eycken the younger; he also sometimes signed his works Charles Duchêne*; 17 April 1859, Brussels – 27 December 1923, Brussels), Belgian painter specializing in pictures of interiors and, especially, dogs and cats. His grandfather Frans was a decorative painter and his father, also named Charles, a successful painter of landscapes in the 17th-century Dutch style. First a pupil of his father, he subsequently studied with Joseph Stevens, a realist animal painter, at the Académie des Beaux-Arts in Brussels. He later also studied at the Academy of Louvain. From 1881 onward he exhibited regularly in the Salons of Brussels, Liège, Ghent, and Antwerp, as well as in the Netherlands, Germany, and Spain. He painted several pictures for Queen Marie-Henriette of Belgium.

* The names van den Eycken and Duchêne both mean "of the oak", in Dutch and French, respectively.