L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Vera Fokina. Show all posts
Showing posts with label Vera Fokina. Show all posts

Saturday, July 11, 2015

Randomly II


Miniature attributed to Jean-Baptiste Isabey. subject unknown, circa 1790.
Unknown.
Portrait of a Lady with a Squirrel, by Francesco Montemezzano, circa 1565.
Prince Nikolai Saltykov, by Franz Kruger, 1850.
Vivien Leigh, publicity for "Lady Hamilton" ("That Hamilton Woman"), 1940-1.
The marquise de Pompadour at her dressing table, by François Boucher, circa 1750-58.
John Smith the Engraver, by Sir Godfrey Kneller, 1696.
 Napoleon the Lawmaker, by Jean-Baptiste Mauzaisse, 1833.
Orson Welles, by Horst P. Horst, 1938.
The Spree waterside at Stralau, by Karl Friedrich Schinkel, 1817.
Apollo and Marpessa, by John Flaxman, circa 1790–94.
Bacchanal, by John Koch, 1952.
Rex Whistler, by Cecil Beaton, 1927.
Portrait of Marie Stuck (the artist's daughter), by Franz von Stuck, 1913.
Princess Victoria Alexandra Olga Mary of Wales, daughter of Edward VII and Queen Alexandra, by Philip de László, 1907.
Silversmith Thomas Germain and his wife Anne-Denise Gauchelet, by Nicolas de Largillière, 1736.
Portrait of a Man, by Andrea del Sarto, circa 1517.
Lady Ann Somerset, Countess of Northampton at the age of about 14, attributed to Jean-Étienne Liotard, circa 1755.
Portrait of Don Andrés de Andrade y la Cal, by Bartolomé Esteban Murillo, circa 1665-72.
Charles Coote, 1st Earl of Bellomont, on the occasion of his elevation to the Earldom, by Sir Joshua Reynolds, circa 1767.
Michel Fokine and Tamara Karsavina (or Vera Fokina?) in Fokine's L'Oiseau de feu ("The Firebird"), circa 1910.
Miniature by Louis-Lié Périn-Salbreux, subject unknown, circa 1780s.
Venus and Cupid, attributed to Roeloff van Zijl, circa 1625.



Thursday, November 21, 2013

Michel Fokine and Vera Fokina in costume for Shéhérazade, Les Ballets Russes, 1914


The French language programme for the 1914 season, artwork by Valentine Gross.

Mikhail Mikhailovich Fokin (April 23, 1880, St. Petersburg – August 22, 1942, New York City) - most commonly, the French version of his name, Michel Fokine, is used - was a Russian dancer, and one of dance history's most important and most innovative choreographers.  He is best known for his work during the early, pre-war seasons of Diaghilev's Ballets Russes.  Vera Fokina, born Vera Petrovna Antonova (August 3, 1886 – July 29, 1958, New York City), married Fokine in 1905 and, later, also danced with the Ballets Russes, frequently as a partner to her husband.


Diaghilev and Fokine had quarreled in 1912 over the seeming preference given by Diaghilev to the nascent choreographic efforts of his protégé, the great Nijinsky.  After Nijinsky's marriage late the next year, and his subsequent dismissal from the company, Diaghilev, with much effort, convinced Fokine to return for the 1914 season.  Along with creating three new ballets, he and his wife danced the roles of the Golden Slave and Zobéide in Shéhérazade, one of Fokine's greatest choreographic successes.  Having premiered in 1910, with music by Rimsky-Korsakov and costumes and décor by Léon Bakst, this ballet had an almost incalculable influence on the world of fashion and of the arts, and is still studied as an important turning point in the development of modern ballet.

The London programme for 1914.
This particular photograph in the series was obviously the model for the season's progamme.