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| Acanthus spinosus (Dydinamia angospermia). |
"With the plant specimen set before her she cut minute particles of coloured paper to represent the petals, stamens, calyx, leaves, veins, stalk and other parts of the plant, and, using lighter and darker paper to form the shading, she stuck them on a black background. By placing one piece of paper upon another she sometimes built up several layers and in a complete picture there might be hundreds of pieces to form one plant. It is thought she first dissected each plant so that she might examine it carefully for accurate portrayal..."
- from Mrs. Delany: her Life and her Flowers, by Ruth Hayden, 1980/2000. (The author was a descendant of Delany's sister Anne.)
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| Lobelia cardinalis. |
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| Viscum album. |
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| Cheiranthus incanus. |
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| Centaurea cyanus. |
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| Parnassia palustris (Pentandria tetragynia). |
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| Iris susiana. |
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| Digitalis purpurea. |
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| Pancratium maritinum (Hexandria monogynia). |
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| Amaryllis reginae. |
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| Myosotis scorpiodes (Polyandria monogynia). |
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| Rhododendron maximum. |
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| Tulipa sylvestris. This was the only collage I came across that didn't still have a label attached. |
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| Passiflora laurifolia. |
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| Paeonia tenuifolia. |
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| Saxifraga stolonifera (Decandria digyn). The second label appears to reference the properties used in Chinese medicine. |
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| Dianthus caryophyllus. |
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| Helianthus annuus. |
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| Aloe perfoliata. |
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| Crinum zeylanicum. |
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| Spiraea. |
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| Lobelia erinoides. |
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| Amaryllis sarniensis. |
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| Physalis. |
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| Pyrus malus. |
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| Rosa gallica. |
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| Fragaria vesca. |
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| Erythrina fulgens. |
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| Cyclamen europaeum. |
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| Papaver somniferum. |
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| Alcea rosea. |
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| Convallaria majalis. |
*
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| Mrs. Delany, by John Opie, 1782. |
Mary Delany (née Granville; 14 May 1700, Coulston - 15 April 1788, Windsor), English artist known for her "paper-mosaicks" and her lively correspondence. Born the daughter of Colonel Bernard Granville, she was a niece of George Granville, 1st Baron Lansdowne. She was coerced into an unhappy marriage with the sixty-year-old Tory MP Alexander Pendarves when she was still only seventeen; her husband died in his sleep seven years later, making her a widow at the age of twenty-four. With little means and no home of her own, she spent time living with various relatives and friends. But having the social freedom allowed by her widowhood, she was able to indulge her artistic and scientific interests. At the age of forty-three, she married again, to Dr. Patrick Delany, an Irish clergyman. A year later they moved to Dublin, where Dr. Delany had a home. Both husband and wife were very interested in botany and gardening. After twenty-five years of marriage, most of it spent in Ireland, her husband died, leaving her a widow again at the sixty-eight. She had always been an artist, but during her second marriage she had had the time to hone her skills, not only as a gardener, but with her needlework, drawing, and painting. It was only in her second widowhood, though, when she was in her early seventies, that she began to assemble detailed and botanically accurate depictions of plants in decoupage, using tissue paper and hand coloration. She created nine-hundred and eighty-five of these works, calling them her "Paper Mosaiks." She continued making them until her sight began to fail in the last year of her life. She died a month before her eighty-eighth birthday. The ten volumes of her
Flora Delanica were eventually bequeathed to the British Museum.
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| Myosotis scorpiodes (Polyandria monogynia), detail. |
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| Rhododendron maximum, detail. |
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| Saxifraga stolonifera (Decandria digyn), detail. |
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