L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Friday, June 15, 2018

Edgar Henry Garland - "The Elusive Garland" in and out of uniform



Edgar Henry Garland (1895, Wellington, New Zealand - 4 May 1973), New Zealand soldier in World War I. He trained at the New Zealand Flying School at Kohimarama, Auckland in 1916. He later made twenty-four flights over the German lines before being shot down. He made a forced landing in Ostend on 22 August 1917 and was interned at the infamous Holzminden prisoner-of-war camp, a camp reserved for British and British Empire officers. From Holzminden, he participated in the largest POW escape of the war - the first "Great Escape" - in July of 1918; twenty-nine officers escaped, but only ten made it out of Germany and, eventually, to Britain. Flight-Lieutenant Garland was recaptured but went on to make a total of eight escape attempts; it appears he was regarded by the German War Office as one of the most cunning - and slippery - of the British officers. And at the end of the war his exploits were much written about, earning him the nickname "The Elusive Garland".

All photographs by S. P. Andrew Ltd. of Wellington, 1916. All of these photographs were taken before he left for duty in Europe.

So the question is: what was the reason for the two nude poses? All the images were taken by the same photographer, right around the same time. But for what purpose is he naked...?

Lieutenant Garland is at right; the other men are unidentified.



Sunday, June 10, 2018

Noir perfection - Lizabeth Scott in publicity for "Dead Reckoning", 1947



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Noir Lesson #378: If your character double crosses Bogart - even if you're the "love interest" - chances are it won't end well.


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Friday, June 8, 2018

"Little Girl with a Basket of Cherries" - anonymous Netherlandish master, circa 1575-80.



This sweet faced little girl has not been identified, but her dress dates the portrait to the 1570s. Suspended from one of the gold chains around her neck is a pendant made from a piece of coral. For centuries, coral was used for children's jewelry; it was believed to protect them from evil. Carnations, like those decorating her headdress, were thought to serve a similar purpose. Though it was a not uncommon device in portraits of little girls at the time, the iconographic meaning behind the basket of cherries is unknown. The artist is also unknown, but is thought to have been a follower of Martin de Vos, who was working in Antwerp at this period.




Monday, June 4, 2018

The UNTOLD GAZE - coming this summer!



It's finally happening! We announced this book as "forthcoming" three long years ago and, now, after several complications and much delay - I suppose the latter is rather obvious - our book The Untold Gaze is actually being published this summer. We received a generous grant from the Regional Arts and Culture Council (RACC) that will cover about half of the printing cost, and we're crowdfunding to gain the other half. If you're interested in contributing, please visit here; a copy/copies of the book figures in most support levels.

Three - very brief - previews of the pairings of words and image, writer and painting.

The Untold Gaze features more than seventy of my paintings, combined with works of short fiction (and a few poems) written by more than thirty authors, each piece inspired by a particular painting. An introductory essay has been written by Bob Hicks, longtime arts writer and editor for The Oregonian and The Oregon Journal, and now a senior editor at Oregon ArtsWatch. The Untold Gaze will be an 11x11, full-color hardback, approximately 175 pages, planned print run of 600-700 copies. The book is being privately distributed; currently, it is not expected that the book will be available in bookstores.


Our author list: Stephen Arndt, Liz Asch, Jude Brewer, Matty Byloos, Doug Chase, David Ciminello, Sean Davis, Monica Drake, Colin Farstad, Dian Greenwood, Sara Guest, Robert Hill, Lisa Kaser, Megan Kruse, Kathleen Lane, Margaret Malone, Kevin Meyer, Karen Munro, Whitney Otto, Michael Sage Ricci, Bradley K. Rosen, Sam Roxas-Chua, Stephen Rutledge, Edie Rylander, Liz Scott, Evelyn Sharenov, Tom Spanbauer, Scott Sparling, Laura Stanfill, Cheryl Strayed, Adam Strong, Vanessa Veselka, Suzy Vitello, Lidia Yuknavich


The book is fully laid out and ready to go to the printer; here are a few examples of page spreads: 




Sunday, June 3, 2018

In the quiet days before the storm - autochromes by Piotr Vedenisov, 1909-14


Tanya, Natasha, Kolya, and Lisa Kozakova, Vera Nikolaevna Vedenisova and Elena Franzevna Basileva, Yalta, 1910.

Piotr Ivanovich Vedenisov (1866-1937), Russian nobleman, professional pianist, amateur actor and photographer. After graduating from the Moscow Conservatory in 1888, he moved to Yalta, where he soon became an important part of the cultural life of the area. He studied the local lore and lectured on the history of the Crimea. He helped organize musical and literary evenings. He studied meteorology. He became friends with the likes of Chekhov, Gorky, and Chaliapin. But outside of music, his greatest interest was photography. He became a master of the Autochome, an early color photographic process, patented by the Lumière brothers in 1903 and first marketed in 1907.


About 150 of his Autochromes survive to this day, all created in a period of five short years, from 1909 to 1914. His work is peopled with his family and close relations - his wife, Vera Nikolaevna, her mother Elena Basileva, and their relatives, the Kozakov family: Andrei Aleksandrovich, Sofya Nikolaevna and their five children - and his friends and fellow musicians. The main themes of these poetic images are daily life - picnics, excursions, dress-up, feasts - and the landscapes of Yalta and Simbirsk Province, where the Kozakovs lived.

Vera Kozakova in  folk dress, 1914. (Two images.)
"Cossack from the Emperor's convoy." (Some of the borderless images, here, look to be copies rather than originals, and the quality has been affected.)
Vera Nikolaevna Vedenisova, the photographer's wife, in folk dress. (Two images.)
Yalta, 1910s.
Yalta, 1914.
"At the fountain."
Andrei Aleksandrovich Kozakov, Yalta, 1911-1912.
Tanya, Vera, and Lisa Kozakova.
Vera Nikolaevna Vedenisova, the photographer's wife.
New Year tree, decorated with national flags of different countries, Nikolskoe, Simbirsk Province, 1911.
Vera Nikolaevna Vedenisova, the photographer's wife, at right.
Vera Nikolaevna Vedenisova, the photographer's wife.
Vera Nikolaevna Vedenisova, the photographer's wife.
"The conductor [leader?] of the mountain club."
Natasha Kozakova (?).
"Not far from Yalta."
"Taurien morning." The Taurida - various spellings - Oblast (province) included most of the Crimea and parts of  Southern Ukraine.
Nikolskoe, Simbirsk Province.
Vera Kozakova (?).
Natasha Kozakova (?), Yalta, 1910.
Tanya and Lisa Kozakova, Yalta, 1910.
"Spring of 1910 in the Crimea."
Kolya Kozakov and the dog Gipsy, Yalta, 1910-1911.