This portrait is part of the Royal Collection and is a contemporary replica of the lost original, destroyed by fire at the palace of El Pardo in 1604. This is one of two known replicas, both of which would have been executed under the artist’s direct supervision in Portugal. Thought to be created in order to be used as part of the prince's marriage negotiations, the painting moved between various royal collections in Portugal and Spain until, in the 1830s, it entered that of Louis-Philippe, King of the French, who had it displayed in his "Galerie Espagnole" in the Louvre. Queen Victoria purchased it from the deposed monarch's estate in 1853.
Friday, April 2, 2021
A prince of Portugal at fourteen - studio of Anthonis Mor, circa 1552
This portrait is part of the Royal Collection and is a contemporary replica of the lost original, destroyed by fire at the palace of El Pardo in 1604. This is one of two known replicas, both of which would have been executed under the artist’s direct supervision in Portugal. Thought to be created in order to be used as part of the prince's marriage negotiations, the painting moved between various royal collections in Portugal and Spain until, in the 1830s, it entered that of Louis-Philippe, King of the French, who had it displayed in his "Galerie Espagnole" in the Louvre. Queen Victoria purchased it from the deposed monarch's estate in 1853.
Married at 14 and died at 16, but a father.
ReplyDeleteVery sad. And then his son succeeded at the age of three, after the death of his grandfather. He appears to have been much healthier than his father and other relatives had been, was an energetic ruler, but then died in battle at the age of only twenty-four.
DeleteHis features clearly denounce the deep familiar relations between the Aviz and Habsburg dynasties.
ReplyDelete