True and uncommon sight - selected paintings by George Frederic Watts

The Minotaur, 1885.

 Self-Portrait in a Red Robe, 1853.

The Wife of Plutus, circa 1877-1886.

The Happy Warrior, 1884.

Hope, 1886.

Condemnation of Adam and Eve (study), circa 1873.

Dorothy Tennant, later Lady Stanley, circa 1873.

 William Morris, 1870.

She Shall be Called Woman, circa 1880.

 Sir Galahad, 1860-62.

Ellen and Kate Terry, circa 1863.

Ariadne, 1894.

Frederic, Lord Leighton, 1888.

"Alice", 1883.

Time, Death, and Judgement, circa 1870-80.

Choosing (portrait of Ellen Terry), circa 1864.

The Four Horsemen of the Apocalypse - The Rider on the White Horse, circa 1874-1883.

Self-Portrait, 1864.

Helen Rose Huth, circa 1855.

Jonah, 1894.

 Found Drowned, 1848-50. Inspired by Thomas Hood's 1844 poem The Bridge of Sighs, the painting depicts the suicide of a "fallen woman."

Lady Holland on a Daybed, 1844.

Watching for the Return of Theseus, circa 1872.

The All-Pervading, circa 1887-90.

Countess of Airlie, 1866.

Study for a portrait of Frans Cornelis Donders, circa 1850s-60s.

 Orpheus and Eurydice, circa 1860s.

 Orpheus and Eurydice, date unknown.

 Orpheus and Eurydice, 1869.

 Double portrait of Georgina Treherne, 1856-58.

The Dweller in the Innermost, circa 1885-86.

Frederic Leighton, later Lord Leighton, 1871.

Countess Somers, circa 1850s.

Endymion, 1903.

After the Deluge, 1886.