L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Sunday, May 5, 2019

Enfants de France - portraits of French princes (and three princesses)



Sons (and daughters) and grandsons and great-grandsons of kings, sons and great-nephews of emperors, only three eventually ascended the throne of France. One was horrified to find himself there and lost it, one schemed to reclaim it, one lost it again. And only one of those abandoned the throne as a result of the naturalist of causes: old age and illness and death.

 The comte de Provence - later Louis XVIII - and his elder brother the duc de Berry - later Louis XVI - by François-Hubert Drouais, 1757.
Louis-Joseph-Xavier de France, duc de Bourgogne, by Jean-Martial Frédou, circa 1760. The eldest grandson of Louis XV and heir apparent.
 The duc de Bourgogne, also by Jean-Martial Frédou, 1761. A much loved child, he died at the age of nine from the effects of a fall two years previously.
Louis-Auguste de France, duc de Berry - later Louis XVI - by Jean-Martial Frédou, 1760.
Louis-Stanislas-Xavier de France, comte de Provence - later Louis XVIII - by Maurice Quentin de La Tour, 1762. 
Charles-Philippe de France, comte d'Artois - later Charles X - with his sister Madame Clothilde, by François-Hubert Drouais, 1763.
The comte d'Artois, by Jean-Martial Frédou, circa 1765-67.
 The comte d'Artois, also by Jean-Martial Frédou, 1773.
 Louis-Antoine, duc d'Angoulême,by Joseph Boze, 1785. After his father Charles X's abdication in 1830 he became Louis XIX -
for about twenty minutes - before he signed his own abdication; many legitimists do not consider either of the acts as valid.
Louis-Charles de France, duc de Normandie - later the titular Louis XVII - by Alexandre Kucharsky, 1792.
Marie-Thérèse-Charlotte of France, Madame Royale - later the duchesse d'Angoulême, later dauphine of France - by Heinrich Friedrich Füger, circa 1795.
Napoléon-François-Charles-Joseph Bonaparte, roi de Rome - later Herzog von Reichstadt - by Pierre-Paul Prud'hon, 1811.
 Henri-Charles-Ferdinand-Marie-Dieudonné, duc de Bordeaux, comte de Chambord - grandson of Charles X and later the legitimist pretender -
and his elder sister Louise-Marie-Thérèse - later Duchess of Parma and Piacenza - by Louis Hersent, 1821.
Napoléon-Eugène-Louis-Jean-Joseph Bonaparte, prince impérial, by Franz Winterhalter, 1864.
The Prince Impérial, by Jules Lefebvre, 1870.



Friday, May 3, 2019

Madame Misonne devant sa fenêtre - photographs by Léonard Misonne, circa 1910


If one compares these two images, it quickly becomes obvious that one is reversed. But which? My guess is that the first one is the correct 
orientation. But since all the reproductions I've found online present each as it is here, I've not tried to "correct" one or the other.

*

Léonard Misonne (1 July 1870, Gilly, Charleroi, Belgium - 14 September 1943, Gilly, Charleroi, Belgium), Belgian photographer. The seventh son of a wealthy lawyer and industrialist, he studied mining engineering at the Université catholique de Louvain, but never worked as an engineer. While still a student, he became interested in music, painting and, beginning in 1890, photography; from 1896 he concentrated exclusively on photography. He traveled to Switzerland, Germany, and France, but most of his work was created in Belgium and the Netherlands, predominantly landscapes. His pictorialism was atmospheric and impressionistic - he was dubbed the "Corot of photography" - and he was known for his lighting effects: "Light glorifies everything. It transforms and ennobles the most commonplace and ordinary subjects... The subject is nothing, light is everything."

His wife, Valentine - wearing the same gown as above - with one of their eight children.

In 1906 he married Valentine Labin, with whom he had eight children. He also took his last major tour to Switzerland and Italy. But he suffered from a severe form of asthma and became house bound for much of his life. He became seriously ill in 1940 and died three years later in the place of his birth at the age of seventy-three.



Sunday, April 28, 2019

A chocolate king in the avenue du Bois - portraits of Georges Menier by Boutet de Monvel, 1922-23



Georges Menier (19 April 1880, Paris - 1 January 1933, Paris), was the great-grandson of Jean Antoine Brutus Menier, who founded the celebrated chocolate company in 1816. In the following decades, mainly due to the wise implementation of the newest manufacturing technologies, with factories located at Noisiel, twenty miles outside of Paris, they became the premier chocolatiers in France, a position that lasted for more than one hundred years.

A preparatory study for the full portrait. Notice that the composition is wider and that the buildings in the background are different. 

The great wealth accumulated by the family business permitted its members many expensive opportunities, such as yachting and horse racing, politics and extravagant real estate; Georges' uncle, Henri Menier, bought the chateau de Chenonceau in 1913. (That same year, Henri died and the estate was inherited by his brother, Georges' father. The following year, with war begun, a military hospital was set up in the château, administered by Georges and his wife, Simonne.)


Boutet de Monvel's portrait - for which there survive several sketches and oil studies - shows the elegantly dressed Menier seated under the chestnut trees in the avenue du Bois de Boulogne. (Only a few years later, the street was renamed avenue Foch, after the French marshal, a hero of WWI.) The final portrait was shown at the Salon d’Automne of 1923.

Three landscape studies. 
Another preparatory sketch of the subject.



Friday, April 26, 2019

Friday, April 5, 2019

Une petite pause....


The War Years - acrylic on panel - 8x8, 10x10, 12x12 - 2019.

I'm in the final push for my next show - at Froelick Gallery, here in Portland, 16 April - 1 June. Actually, I'm all finished. Almost everything photographed and varnished, ready for delivery in just about a week. But right now I am trying to complete just one more; "more is better"! I always schedule my posts well in advance, which is why I've been able to keep up with my two installments a week until today. But now I've run out, so I'll have to take just a tiny break from posting. I'll be right back! : )

Aeternus - acrylic on panel - 18x24 - 2019.
Miscellaneous Sebastian #1 - acrylic on panel - 16x16 - 2019.
The Dark Mirror - acrylic on panel - 16x16 - 2018.
The Window Above - acrylic on panel - 16x16 - 2019 .
Untitled - acrylic on panel - 8x8 - 2019
Deny - acrylic on panel - 12x12 - 2019
Demur - acrylic on panel - 8x8 - 2019