L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Philip de László. Show all posts
Showing posts with label Philip de László. Show all posts

Friday, April 13, 2018

Only the very best, twice - portraits of Maud Glen Coats, later Marchioness of Douro, later Duchess of Wellington, by John Singer Sargent and Philip de László



(Lilian) Maud Glen Coats (3 February 1885, Belleisle, Scotland - 3 May 1946, London), the daughter of the George Coats, 1st Baron Glentanar, a Scottish cotton manufacturer, married Arthur Wellesley, Marquess of Douro in 1909. They had two children, a son and daughter. Her husband made himself notorious in the run up to World War II by his support of far-right and anti-Semitic causes. A member of the Anglo-German Fellowship from 1935, he was a strong proponent of appeasement. He had succeeded to the title of 5th Duke of Wellington in 1934 and died during the war he'd so opposed, in 1941. The couple's son, now 6th Duke of Wellington, was killed in action in Italy only two years later. Their daughter would marry and live until 1998, but the Duchess died exactly a year after the war ended in Europe, at the age of sixty-one.

Portrait by John Singer Sargent, 1906. She was twenty-one and not yet married.
Portrait by Philip de László, 1922. She was by now Marchioness of Douro and thirty-seven years old.

***

Bashing around, trying to find more information on the subject of these two portraits - it took forever to even discover when she'd been born - I stumbled upon this luxury item(s) that had once been hers. "Off topic", rather, but I felt compelled to share.


This is her dressing set and its Moroccan leather traveling case, all made by the prestigious company of Asprey. The materials used for the set include 18ct gold, diamonds, crystal, and tortoiseshell. Those items featuring her signature are hallmarked and date to 1905, four years before her marriage, while those displaying her initial and coronet in diamonds were made after she became the Marchioness of Douro.


The full inventory:

Large round powder jar with solid 18ct gold screw top and collar with platinum and diamond monogram

Solid 18ct gold matchbox cover with platinum and diamond monogram

Hip flask with removeable solid 18ct gold drinking vessel and solid 18ct gold top

18ct gold capped curling tongs burner with platinum and diamond monogram

Curling tongs with 18ct capped handles

18ct gold capped oval hairbrush with platinum and diamond monogram

Long round hatpin jar with 18ct screw top

2 smaller round 18ct screw top bottles

Large square 18ct top jar

Smaller round 18ct screw top hatpin jar

Large square 18ct screw top bottle

2 smaller square 18ct screw top bottles

Small square 18ct screw top bottle

Various tortoiseshell items including pair of oblong clothes brushes, pair of oval hair brushes, hand mirror, glove stretchers, mixing spoon, page turner, hair combes in Asprey leather case, curling tongs with 18ct collars, pin cushion with 18ct mount, soap dish, powder jar.

Other items includes a leather card case with 18ct corners, leather matchstick holder with striker, inkwell all marked Asprey. Also a gold plated Razor by Schlick and an amber cased cigarette holder.




Sunday, March 11, 2018

Des diverses dames


Hortense Thayer née Bertrand, by Louis Janmot, circa 1840s.
Fashion illustration by Robert Dammy, 1912-13.
Estrella Boissevain in fashion shot, by Horst P. Horst, circa 1938.
Mannequin articulé, circa 1800.
Portrait of a lady as Diana, by Jacob Huysmans, circa 1674.
 Madeleine comtesse de Montgomery, madame Jean Bonnardel, by Federico Beltrán Masses 1934.
Unknown subject, unknown artist, circa 1850s. From the Serbian Royal collection.
Portrait of a Young Lady, by Louis Hersent, 1830.
Presumed portrait of Clara Wieck Schumann, by Charles-François Phelippes, 1839. (A year before her marriage.)
Ragazza con il libro rosso, by Arturo Noci, 1925.
Portrait of a Lady, by Konstantin Somov, 1936.
Hortense Mancini, by Pierre Mignard, 1671.
Lady of the Polignac family, unknown artist, circa 1780s. Though identified as Diane Louise Augustine de Polignac,
more likely this is her niece, Aglaé Louise Françoise Gabrielle de Polignac, duchesse de Gramont et Guiche.
Ulrike Sophie Herzogin zu Mecklenburg, by Christoph Friedrich Reinhold Lisiewski, 1780.
Viscountess Chaplin née the Hon. Gwladys Wilson, by Philip de László, 1915.
Unknown, circa 1910-20.
Fashion illustration by Armand Vallée, 1914.
Contessa Maria Benedetta di San Martino, by Pompeo Batoni, 1785.
Françoise Athénaïs de Rochechouart, Marquise de Montespan as Iris,
attributed to Louis Ferdinand Elle le jeune, circa 1670s.
Diane Gabrielle Damas de Thianges, duchesse de Nevers, unknown artist, circa 1670s. (Niece of the above.)
Augusta of Hesse-Kassel, Duchess of Cambridge, with her two elder children, George and Augusta,
by Melchior Gommar Tieleman, 1823.
María Edwards McClure, Madame Errázuriz, by Sir William Orpen, 1915.
Infanta Isabel of Spain, Countess Gurowski, by Carlos Luis de Ribera y Fieve, 1860.
A Classical Lady, by John William Godward, 1908.
Encarnación Ezcurra, wife of Argentine Dictator Juan Manuel de Rosas,
by Fernando García de Molino and Carlos Morel, circa 1835.
Retrato de señora, by Fernando García del Molino, circa 1840s-50s.
Mrs. John Winthrop, by John Singleton Copley, 1773.
Lady Almeria Carpenter, by Sir William Beechey, 1790.
Doña Lucia Carranza de Rodríguez Orey, by Charles Henri Pellegrini, 1831.
Portrait of Lady on a Divan with Dog, by Julio Vila y Prades, 1905.
Portrait of a Lady in a Blue Dress, by Christian Albrect Jensen, 1824.
Unknown subject, miniature by François Dumont, circa 1795.
"Bluebeard’s Wives", a staged photograph from a children’s play, circa 1900.
La Réponse à la lettre, by Jean Augustin Franquelin, 1827.
De Gracieuse magazine cover, 1936. (De Gracieuse was a Dutch fashion magazine published from 1862 to 1936.)
Infanta Maria Luisa of Spain, by Giuseppe Bonito, circa 1748.
Madame de Saint-Maurice, by Joseph-Siffred Duplessis, 1776.
Self-portrait, by Sofia Adlersparre, 1840.
Doña Ana de Velasco y Téllez-Girón, duquesa de Braganza, by Juan Pantoja de la Cruz, 1603.
A Lady in Black, by George Spencer Watson, 1922.
"La Russe", by William McGregor Paxton, 1913.
Fashion illustration for Worth, by George Barbier, 1921.
Portrait of a Young Lady, attributed to Jan Miense Molenaer, 1635.
"Club Allegro Fortissimo, Paris" by William Klein, 1990.
Princess Ruspoli, duchesse de Gramont, by Philip de László, 1922.