L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Showing posts with label Karl Briullov. Show all posts
Showing posts with label Karl Briullov. Show all posts

Friday, June 23, 2017

Hold your horses - a selection of equestrian images


Adam-Franz, Fürst zu Schwarzenberg, later Herzog von Krumlov, performing a capriole, by Johann Georg von Hamilton, circa 1700-10.
El Cid, by Anna Vaughn Hyatt Huntington, 1927.
Model posing for El Cid (above), before 1927.
Equestrian portrait of mademoiselle Croizette, by Carolus-Duran, 1873.
Cavalier (Portrait équestre de M. Arnaud), by Édouard Manet (apparently finished by another hand), circa 1875.
Equestrian portrait of Prince Boris Yusupov, by Antoine-Jean Gros, 1809.
Unknown artist and subject, circa 1690.
Horse and female rider, Tang dynasty (618–907).
Mounted Trumpeters of Napoléon's Imperial Guard, by Théodore Gericault, 1813-1814.
Shah Jahan on Horseback, page from the Shah Jahan Album, portrait by Payag, circa 1630.
Jumping the Gate, by James Seymour, circa 1740-50.
Le Cauchemar (The Nightmare), by John Henry Fuseli (Johann Heinrich Füssli), 1782.
Prince Henry, Duke of Cumberland, by David Morier, 1765.
Valor, one of the two "Arts of War" sculptural groups flanking the Arlington Memorial Bridge, by Leo Friedlander, circa 1929-30, cast 1950-51.
King George II, by Joseph Highmore, circa 1740s-50s.
Equestrian portrait of Saint Louis of France (King Louis IX), by Jacopo Ligozzi, circa last quarter of the 16th century-first quarter of the 17th.
 Louis-Eugène d’Etchegoyen, Calvary Officer, by Antoine-Jean Gros, 1810.
Spirit of Kansas, by Mary Bartlett Pillsbury Weston, 1892.
Sketch for Equestrian Portrait of Manuel Godoy, duque de la Alcudia, by Francisco de Goya y Lucientes, 1794.
Equestrian portrait of Count Anatole Demidoff, later 1st Prince of San Donato, by Karl Briullov, begun circa 1828 (?) and left unfinished.
King Henri II on horseback, by François Clouet and Studio, circa 1540s.
Thomas Cholmondeley, 1st Lord Delamere, on His Hunter, study for The Cheshire Hunt at Tatton Park, by Henry Calvert, circa 1839.
Equestrian Portrait of a Gentleman, by Barent Graat, circa 1660s.
Hand-painted souvenir postcard from the Moulin Rouge, circa 1890s.




Sunday, April 16, 2017

The glamorous uniform - Ladies-in-waiting and Russian court dress, circa 1830s-40s


Ladies in the "Blazon Room" of the Winter Palace, by Adolphe Ladurner, 1838. (Detail of below.)
Ladies in the "Blazon Room" of the Winter Palace, by Adolphe Ladurner, 1838.
Unknown lady (Anna Alexeievna Okulova?), by Pimen Nikitich Orlov, circa 1835-37.
Henrietta Bodisco, by Johann Konrad Dorner, 1844.
Maria Petrovna Kikina, later Volkonskaia, by Pyotr Feodorovich Sokolov, 1839.
Princess Elisaveta Alexeievna Paskevich, née Griboyedova, by Nikolai Gustavovich Shilder, circa 1830s-40s.
Unknown, unknown artist, circa 1830s.
Three illustrations of court dress from 1834.
The Volkonsky children with blackamoor, by Karl Briullov, 1843.
Sofia Vassilievna Orlova-Denisova, by Pimen Nikitich Orlov, 1835.
Princess Natalia Vladimirovna Obolenskaia-Neledinskaia-Meletskaia, née Mezentsova, unknown artist, circa 1834.



Friday, March 18, 2016

Women and children most - portraits by Ivan Makarov


Anastasia Iosifovna Ushakova, circa 1866.

Ivan Kuzmich Makarov (23 March 1822, Arzamas - 9 April 1897, Saint Petersburg), Russian portrait painter. Born the son of Kuzma Alexandrovich Makarov, a serf artist of the Penza landowner Gorikhvostov, who had received his freedom in 1815. After completing his general education, from 1834 to 1841 the younger Makarov studied with his father at the Arzamas School of Painting, Russia's first provincial art school. On the basis of submissions he sent to the Imperial Academy of Arts in 1842, he was granted the title "Neklassnogo Artist" ("Free Artist"). In 1845, he moved to Saint Petersburg, where he studied until 1852 at the Academy under the history painter Alexey Markov, and soon won the patronage of the Grand Duchess Maria Nikolaievna. He then traveled to Berlin, Dresden, Munich, Venice, Bologna, and spent more than a year and a half in Rome before returning to St.Petersburg. On his return, he was made an academician, and he would be mostly resident in Petersburg, where he worked and taught, until his death at the age of seventy-five.

Detail of above.
Maria and Sofia Perovskaja, 1859.
Unknown Lady, circa 1860.
Grand Duchess Maria Nikolaevna, circa 1850s.
A Girl, 1852. Identified variously as the artist's daughter and Princess Evgenia Maximilianovna of Leuchtenberg.
Evdokia Lyubimovna Khovrina née Engalycheva, 1862.
Girl [boy] With Dog, circa 1860s. Probably a portrait of Sergei Alexandrovich Stroganov.
Portrait of Unknown Girl, circa 1860s. Probably a portrait of Olga Alexandrovna Stroganova, sister of the above.
S. N. Rossova (?), circa 1860.
E. S. Kaznakova née Neklyudova, 1861.
Unknown Woman With Child, circa 1850s.

The Sheremetev children, circa 1880s:

Sergei Sergeievich.
Anna Sergeievna.
Peter Sergeievich.
Pavel Sergeievich.
Boris Sergeievich.
Varvara Pavlovna Sheremeteva née Princess Golitsyna (?), 1846.
Evdokia Alexeievna Tregubova, 1869.
Alexandra Mikhailovna Chelisheva née Verigina (?), circa 1865.
Two Children of the Tolstoy Family, 1854.
Ekaterina Feodorovna Tutcheva, circa 1850
Countess Daria Vasilievna Olsufieva, 1856.
Olga Pavlovna Stakhovich, circa 1850s.
Prince Alexander Vladimirovich Bariatinsky, circa 1850.
Empress Maria Alexandrovna, 1859.
Maria Alexandrovna Pushkina, 1849.
Unknown Woman, circa 1850s.
Portrait of a Young Girl, circa 1850s-60s. Possibly a portrait of Olga Pavlovna Shuvalova née Dolgorukova.
"Gubonina", circa 1870s.
Girl in a Boat, nd.
Baroness Sofia Nikolaievna Staal von Holstein née Shatilova, 1859.
The Arapova sisters, Olga and Varvara, circa 1860.
Portrait of an Unknown Woman, 1860.

Ivan Marakov is another artist I was completely unaware of. While looking for something else, I stumbled across an image of one of his paintings - the portrait of Anastasia Ushakova that leads off this post - and was very impressed. His flesh tones glow, and his handling of drapery and various textures is just superb. At his best, his work is very fresh, and recalls a happy blending of the portraiture of Winterhalter and Makarov's great compatriot Karl Briullov.

Portrait of Anastasia Iosifovna Ushakova. (Detail.) I find the play of light and shifts of tonality on the lace and pearls quite thrilling.