tag:blogger.com,1999:blog-4807469356676934317.post264233308136244135..comments2024-03-25T10:50:11.187-07:00Comments on Gods and Foolish Grandeur: Astaire and Rogers in Never Gonna Dance, from Swing Time, 1936Stephiliushttp://www.blogger.com/profile/08562830870365561419noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-4807469356676934317.post-80780777859327445522015-04-20T11:25:34.963-07:002015-04-20T11:25:34.963-07:00Perfectly stated. : )Perfectly stated. : )Stephiliushttps://www.blogger.com/profile/08562830870365561419noreply@blogger.comtag:blogger.com,1999:blog-4807469356676934317.post-18761672151099777942015-04-20T10:59:58.977-07:002015-04-20T10:59:58.977-07:00Absolutely the pinnacle, as you say, of perfection...Absolutely the pinnacle, as you say, of perfection and the New Yorker dance critic Arlene Croce in her book on Fred and Ginger referred to it as the Dance of Dances, analysing every movement. Sublime! The sort of thing which makes one glad to be alive, and even, dare I say it, proud to be American.Toby Worthingtonhttps://www.blogger.com/profile/04494294732826925579noreply@blogger.comtag:blogger.com,1999:blog-4807469356676934317.post-19429870354299527102015-04-19T07:14:20.204-07:002015-04-19T07:14:20.204-07:00The cinematography, the score, the actors' per...The cinematography, the score, the actors' performances, the dancing, are all put together to make the very apex of film musicals. LOVE.Stephenhttps://www.blogger.com/profile/05967985806955115917noreply@blogger.com